-
Number 8 Mantis
Loui Morrell
-
Soundtrack 3
Phil Dadson
-
Soundtrack 7
Phil Dadson
-
Portrait of Jaqueline Fahey
Reiko Elliott
-
Untitled
Frances Hansen
-
Skinny White Male
Richard Lewer
-
Cue: Smile
Glen Wolfgramm
-
My Colour Profile
Glen Wolfgramm
-
Big Top Theatre Show for all the family
Graham Percy
-
Memorabilia
Saso Sinadinovski
-
Mea Ta Waka
David Brown
-
Old Store under Plane Tree, Grafton Road Auckland City
A. Whistler
-
Empire Builders
James Boswell
-
Maori Head & Artefacts
David Brown
-
Political Cartoon
Gordon Minhinnick
-
Baillif III
Douglas Macdiarmid
-
10. Letter I, Exercise VI, continued: The brush is often more convenient for laying on masses of tints and shades""
Stephen Farthing
-
Gymnasium: Circus Drawing
Adrian Hall
-
Untitled
Michael Dell
-
08. Letter I, Exercise V: To be able to draw any form at once""
Stephen Farthing
-
22. Letter II, 104: Foliage for two reasons... always accesible... leading or governing lines""
Stephen Farthing
-
20. Letter I, Exercise X, continued: The perfect way of drawing is with shade and without line""
Stephen Farthing
-
Head
Alistair Nisbet-smith
-
Numbered and Signed: The Given as an Art-Political Statement
Billy Apple
-
27. Letter II, 127: You may think we have said enough about the tree already""
Stephen Farthing
-
The Titirangi House from the Garden
Colin Mccahon
-
04. Letter I, Exercise I: Try to fill in that square with crossed lines""
Stephen Farthing
-
Toka Toka from Te Maire
Don Binney
-
The Lion and the Mouse
Graham Percy
-
11. Letter I, Exercise VI, continued: You cannot do too many of these""
Stephen Farthing
-
19. Letter I, Exercise X: You need not copy touch for touch... Rembrandt is often too loose and vague""
Stephen Farthing
-
The Fox and the Stork
Graham Percy
-
Untitled collage
Greer Twiss
-
Points of View: The Given as an Art-Political Statement
Billy Apple
-
The Hostage Unity Theatre
Raymond Boyce
-
28. Letter II, 104: So that the moment a touch is monotonous, it must also be false""
Stephen Farthing
-
06. Letter I, Exercise III: When your eye gets keen and true - you will see gradation in everything in nature""
Stephen Farthing
-
Untitled Drawing (Koru Series)
Gordon Walters
-
Blue Paper - Panel 2
Glenys Brookbanks
-
Taurus
Philippa Blair
-
12. Letter I, Exercise VII: When you have done one square proceed to do another""
Stephen Farthing
-
Untitled - two images
R.b. Stoddart
-
14. Letter I, Exercise VIII: Spots that follow the folds of printed stuff""
Stephen Farthing
-
05. Letter I, Exercise II: The pen should, as it were, walk slowly over the ground""
Stephen Farthing
-
Portrait A.G.Davis
Paul Beadle
Artist
-
FARTHING, Stephen 31
-
PERCY, Graham 6
-
MACDIARMID, Douglas 5
-
BEADLE, Paul 3
-
BLAIR, Philippa 3
-
BOSWELL, James 3
-
DADSON, Phil 3
-
APPLE, Billy 2
-
BINNEY, Don 2
-
BROWN, David 2