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Number 8 Mantis
Loui Morrell
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Soundtrack 3
Phil Dadson
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Soundtrack 7
Phil Dadson
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Portrait of Jaqueline Fahey
Reiko Elliott
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Untitled
Frances Hansen
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Skinny White Male
Richard Lewer
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Cue: Smile
Glen Wolfgramm
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My Colour Profile
Glen Wolfgramm
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Big Top Theatre Show for all the family
Graham Percy
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Memorabilia
Saso Sinadinovski
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Mea Ta Waka
David Brown
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Old Store under Plane Tree, Grafton Road Auckland City
A. Whistler
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Empire Builders
James Boswell
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Maori Head & Artefacts
David Brown
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Political Cartoon
Gordon Minhinnick
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Toka Toka from Te Maire
Don Binney
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Numbered and Signed: The Given as an Art-Political Statement
Billy Apple
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10. Letter I, Exercise VI, continued: The brush is often more convenient for laying on masses of tints and shades""
Stephen Farthing
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23. Letter I, 105: The idea and main purpose in every branch are to carry all its child brances well out to the air and light""
Stephen Farthing
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Nelson Street
James Boswell
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Baillif XVI A
Douglas Macdiarmid
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24. Letter II, 108: That leaf is the main one that bough is the guilding one""
Stephen Farthing
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The Politics of Geometry
Richard Killeen
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Rift Structure
Nancy de Freitas
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The Clock Tower Building, Auckland University
Frederick Ellis
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15. Letter I, Exercise VIII: Following the spots which fall into the folds of the skin""
Stephen Farthing
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30. Letter III, 193: The law of principality""
Stephen Farthing
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Dream Construction
Philippa Blair
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12. Letter I, Exercise VII: When you have done one square proceed to do another""
Stephen Farthing
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Conversation VIII
Douglas Macdiarmid
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Anxiety
Douglas Macdiarmid
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21. Letter I, Exercise X, continued: A perfect artist habitually sees masses not edges""
Stephen Farthing
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08. Letter I, Exercise V: To be able to draw any form at once""
Stephen Farthing
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And this also is the Point of Saying Goodbye
Gregory O'brien
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Blue Paper - Panel 2
Glenys Brookbanks
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13. Letter I, Exercise VIII: If you can draw a stone, you can draw anything""
Stephen Farthing
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28. Letter II, 104: So that the moment a touch is monotonous, it must also be false""
Stephen Farthing
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04. Letter I, Exercise I: Try to fill in that square with crossed lines""
Stephen Farthing
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Black double ended series 280/36
John Lethbridge
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31. Letter III, 210: Rembrandt's elephant""
Stephen Farthing
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Untitled
Michael Dell
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02. From the preface: I do not think that figures, as chief subjects can be drawn to any good purpose by an amateur""
Stephen Farthing
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17. Letter I, Exercise X: Draw first only two or three leaves""
Stephen Farthing
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The Fox and the Stork
Graham Percy
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19. Letter I, Exercise X: You need not copy touch for touch... Rembrandt is often too loose and vague""
Stephen Farthing
Artist
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FARTHING, Stephen 31
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PERCY, Graham 6
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MACDIARMID, Douglas 5
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BEADLE, Paul 3
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BLAIR, Philippa 3
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BOSWELL, James 3
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DADSON, Phil 3
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APPLE, Billy 2
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BINNEY, Don 2
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BROWN, David 2