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20. Letter I, Exercise X, continued: The perfect way of drawing is with shade and without line""
Stephen Farthing
Dream Construction
Philippa Blair
29. Letter II, 142: Ripple from a wild ducks breast""
Stephen Farthing
28. Letter II, 104: So that the moment a touch is monotonous, it must also be false""
Stephen Farthing
14. Letter I, Exercise VIII: Spots that follow the folds of printed stuff""
Stephen Farthing
01. The Title Page of the June 22nd 1857 Smith Elder & Co. of London, edition
Stephen Farthing
04. Letter I, Exercise I: Try to fill in that square with crossed lines""
Stephen Farthing
19. Letter I, Exercise X: You need not copy touch for touch... Rembrandt is often too loose and vague""
Stephen Farthing
Artist
FARTHING, Stephen
31
PERCY, Graham
6
MACDIARMID, Douglas
5
BEADLE, Paul
3
BLAIR, Philippa
3
BOSWELL, James
3
DADSON, Phil
3
APPLE, Billy
2
BINNEY, Don
2
BROWN, David
2
Art Type
Drawing
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University of Auckland Art Collection
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Artist
FARTHING, Stephen
31
PERCY, Graham
6
MACDIARMID, Douglas
5
BEADLE, Paul
3
BLAIR, Philippa
3
BOSWELL, James
3
DADSON, Phil
3
APPLE, Billy
2
BINNEY, Don
2
BROWN, David
2
Art Type
Drawing