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02. From the preface: I do not think that figures, as chief subjects can be drawn to any good purpose by an amateur""
Stephen Farthing
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Gymnasium: Circus Drawing
Adrian Hall
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15. Letter I, Exercise VIII: Following the spots which fall into the folds of the skin""
Stephen Farthing
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Within a Rachel Whiteread installation
Graham Percy
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08. Letter I, Exercise V: To be able to draw any form at once""
Stephen Farthing
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05. Letter I, Exercise II: The pen should, as it were, walk slowly over the ground""
Stephen Farthing
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Hobson Street
James Boswell
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Light Angel
Philippa Blair
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The Clock Tower Building, Auckland University
Frederick Ellis
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Surasundari 1
Neville Campbell
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Arthur Sandall
Paul Beadle
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Black double ended series 280/35
John Lethbridge
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The Titirangi House from the Garden
Colin Mccahon
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Taurus
Philippa Blair
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14. Letter I, Exercise VIII: Spots that follow the folds of printed stuff""
Stephen Farthing
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Portrait of Mary Stanley
Una Platts
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Mana Island, Northern Aspect, From Karehana Bay.
Don Binney
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18. Letter I, Exercise X, continued: And some leaves seen with the edge turned towards you""
Stephen Farthing
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Two Yellow Lines
Greer Twiss
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22. Letter II, 104: Foliage for two reasons... always accesible... leading or governing lines""
Stephen Farthing
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Blue Paper - Panel 2
Glenys Brookbanks
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Toka Toka from Te Maire
Don Binney
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25. Letter II, 112: Copying photographs and unpacking nudes""
Stephen Farthing
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03. From the preface: I do not think that figures, as chief subjects can be drawn to any good purpose by an amateur""
Stephen Farthing
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10. Letter I, Exercise VI, continued: The brush is often more convenient for laying on masses of tints and shades""
Stephen Farthing
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Creatures in Space XIII
Douglas Macdiarmid
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This is Sigmund Freud advising Joseph Dargaville ...
Graham Percy
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Figure (Listening)
James Ross
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19. Letter I, Exercise X: You need not copy touch for touch... Rembrandt is often too loose and vague""
Stephen Farthing
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09. Letter I, Exercise VI: Consider the dark boughs of the tree as dark rivers""
Stephen Farthing
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Anxiety
Douglas Macdiarmid
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Marine artist - Alfred Wallis + sample wave. St. Ives 1965
Gavin Chilcott
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Perspective View of Arts Building and Student Club from Symonds Street
LIPPINCOTT & BILLSON
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Soundtrack 5
Phil Dadson
-
Untitled collage
Greer Twiss
-
21. Letter I, Exercise X, continued: A perfect artist habitually sees masses not edges""
Stephen Farthing
-
Portrait of Prof. J .C. Beaglehole
Avis Higgs
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Untitled
Michael Dell
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30. Letter III, 193: The law of principality""
Stephen Farthing
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The Politics of Geometry
Richard Killeen
-
23. Letter I, 105: The idea and main purpose in every branch are to carry all its child brances well out to the air and light""
Stephen Farthing
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11. Letter I, Exercise VI, continued: You cannot do too many of these""
Stephen Farthing
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Baillif XVI A
Douglas Macdiarmid
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27. Letter II, 127: You may think we have said enough about the tree already""
Stephen Farthing
-
01. The Title Page of the June 22nd 1857 Smith Elder & Co. of London, edition
Stephen Farthing
Artist
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FARTHING, Stephen 31
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PERCY, Graham 6
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MACDIARMID, Douglas 5
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BEADLE, Paul 3
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BLAIR, Philippa 3
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BOSWELL, James 3
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DADSON, Phil 3
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APPLE, Billy 2
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BINNEY, Don 2
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BROWN, David 2