-
Taurus
Philippa Blair
-
Nelson Street
James Boswell
-
06. Letter I, Exercise III: When your eye gets keen and true - you will see gradation in everything in nature""
Stephen Farthing
-
Hobson Street
James Boswell
-
Black double ended series 280/36
John Lethbridge
-
Untitled
Nicholas Oram
-
15. Letter I, Exercise VIII: Following the spots which fall into the folds of the skin""
Stephen Farthing
-
This is Sigmund Freud advising Joseph Dargaville ...
Graham Percy
-
Mana Island, Northern Aspect, From Karehana Bay.
Don Binney
-
13. Letter I, Exercise VIII: If you can draw a stone, you can draw anything""
Stephen Farthing
-
Rift Structure
Nancy de Freitas
-
Soundtrack 5
Phil Dadson
-
Blue Paper - Panel 2
Glenys Brookbanks
-
Study for Sculpture
Jim Allen
-
19. Letter I, Exercise X: You need not copy touch for touch... Rembrandt is often too loose and vague""
Stephen Farthing
-
Untitled - two images
R.b. Stoddart
-
Gymnasium: Circus Drawing
Adrian Hall
-
Arthur Sandall
Paul Beadle
-
Ideas for a Mace for the University of Auckland
Paul Beadle
-
05. Letter I, Exercise II: The pen should, as it were, walk slowly over the ground""
Stephen Farthing
-
24. Letter II, 108: That leaf is the main one that bough is the guilding one""
Stephen Farthing
-
Untitled collage
Greer Twiss
-
The Titirangi House from the Garden
Colin Mccahon
-
Girl with String
Mark Cross
-
14. Letter I, Exercise VIII: Spots that follow the folds of printed stuff""
Stephen Farthing
-
21. Letter I, Exercise X, continued: A perfect artist habitually sees masses not edges""
Stephen Farthing
-
Creatures in Space XIII
Douglas Macdiarmid
-
Return to the Land - two kiwis, two huts and two silos
Graham Percy
-
03. From the preface: I do not think that figures, as chief subjects can be drawn to any good purpose by an amateur""
Stephen Farthing
-
04. Letter I, Exercise I: Try to fill in that square with crossed lines""
Stephen Farthing
-
Two Yellow Lines
Greer Twiss
-
18. Letter I, Exercise X, continued: And some leaves seen with the edge turned towards you""
Stephen Farthing
-
22. Letter II, 104: Foliage for two reasons... always accesible... leading or governing lines""
Stephen Farthing
-
The Lion and the Mouse
Graham Percy
-
12. Letter I, Exercise VII: When you have done one square proceed to do another""
Stephen Farthing
-
Points of View: The Given as an Art-Political Statement
Billy Apple
-
01. The Title Page of the June 22nd 1857 Smith Elder & Co. of London, edition
Stephen Farthing
-
The Fox and the Stork
Graham Percy
-
Light Angel
Philippa Blair
-
10. Letter I, Exercise VI, continued: The brush is often more convenient for laying on masses of tints and shades""
Stephen Farthing
-
29. Letter II, 142: Ripple from a wild ducks breast""
Stephen Farthing
-
Head
Alistair Nisbet-smith
-
02. From the preface: I do not think that figures, as chief subjects can be drawn to any good purpose by an amateur""
Stephen Farthing
-
23. Letter I, 105: The idea and main purpose in every branch are to carry all its child brances well out to the air and light""
Stephen Farthing
-
08. Letter I, Exercise V: To be able to draw any form at once""
Stephen Farthing
Artist
-
FARTHING, Stephen 31
-
PERCY, Graham 6
-
MACDIARMID, Douglas 5
-
BEADLE, Paul 3
-
BLAIR, Philippa 3
-
BOSWELL, James 3
-
DADSON, Phil 3
-
APPLE, Billy 2
-
BINNEY, Don 2
-
BROWN, David 2