-
Dream Construction
Philippa Blair
-
Light Angel
Philippa Blair
-
22. Letter II, 104: Foliage for two reasons... always accesible... leading or governing lines""
Stephen Farthing
-
21. Letter I, Exercise X, continued: A perfect artist habitually sees masses not edges""
Stephen Farthing
-
Portrait A.G.Davis
Paul Beadle
-
26. Letter II, 122: Avoid studies where one thing seen is through another""
Stephen Farthing
-
17. Letter I, Exercise X: Draw first only two or three leaves""
Stephen Farthing
-
31. Letter III, 210: Rembrandt's elephant""
Stephen Farthing
-
Untitled Vignette
Michael Dell
-
Untitled
Michael Dell
-
19. Letter I, Exercise X: You need not copy touch for touch... Rembrandt is often too loose and vague""
Stephen Farthing
-
18. Letter I, Exercise X, continued: And some leaves seen with the edge turned towards you""
Stephen Farthing
-
The Lion and the Mouse
Graham Percy
-
The Politics of Geometry
Richard Killeen
-
Arthur Sandall
Paul Beadle
-
Taurus
Philippa Blair
-
04. Letter I, Exercise I: Try to fill in that square with crossed lines""
Stephen Farthing
-
08. Letter I, Exercise V: To be able to draw any form at once""
Stephen Farthing
-
This is Sigmund Freud advising Joseph Dargaville ...
Graham Percy
-
Return to the Land - two kiwis, two huts and two silos
Graham Percy
-
Untitled Drawing (Koru Series)
Gordon Walters
-
Untitled
Jeffrey Harris
-
Black double ended series 280/35
John Lethbridge
-
Blue Paper - Panel 2
Glenys Brookbanks
-
01. The Title Page of the June 22nd 1857 Smith Elder & Co. of London, edition
Stephen Farthing
-
Points of View: The Given as an Art-Political Statement
Billy Apple
-
Study for Sculpture
Jim Allen
-
Rift Structure
Nancy de Freitas
-
Baillif III
Douglas Macdiarmid
-
12. Letter I, Exercise VII: When you have done one square proceed to do another""
Stephen Farthing
-
Head
Alistair Nisbet-smith
-
And this also is the Point of Saying Goodbye
Gregory O'brien
-
20. Letter I, Exercise X, continued: The perfect way of drawing is with shade and without line""
Stephen Farthing
-
Within a Rachel Whiteread installation
Graham Percy
-
The Clock Tower Building, Auckland University
Frederick Ellis
-
30. Letter III, 193: The law of principality""
Stephen Farthing
-
16. Letter I, Exercise X Put on a wash of colour, prepared very pale... then another wash""
Stephen Farthing
-
15. Letter I, Exercise VIII: Following the spots which fall into the folds of the skin""
Stephen Farthing
-
Untitled (from the Energy Diagrams series)
Kathy Barry
-
Perspective View of Arts Building and Student Club from Symonds Street
LIPPINCOTT & BILLSON
-
27. Letter II, 127: You may think we have said enough about the tree already""
Stephen Farthing
-
25. Letter II, 112: Copying photographs and unpacking nudes""
Stephen Farthing
-
Black double ended series 280/36
John Lethbridge
-
Hobson Street
James Boswell
-
10. Letter I, Exercise VI, continued: The brush is often more convenient for laying on masses of tints and shades""
Stephen Farthing
Artist
-
FARTHING, Stephen 31
-
PERCY, Graham 6
-
MACDIARMID, Douglas 5
-
BEADLE, Paul 3
-
BLAIR, Philippa 3
-
BOSWELL, James 3
-
DADSON, Phil 3
-
APPLE, Billy 2
-
BINNEY, Don 2
-
BROWN, David 2