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31. Letter III, 210: Rembrandt's elephant""
Stephen Farthing
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Untitled - two images
R.b. Stoddart
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20. Letter I, Exercise X, continued: The perfect way of drawing is with shade and without line""
Stephen Farthing
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This is Sigmund Freud advising Joseph Dargaville ...
Graham Percy
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Nelson Street
James Boswell
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Anxiety
Douglas Macdiarmid
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06. Letter I, Exercise III: When your eye gets keen and true - you will see gradation in everything in nature""
Stephen Farthing
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Within a Rachel Whiteread installation
Graham Percy
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Black double ended series 280/35
John Lethbridge
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And this also is the Point of Saying Goodbye
Gregory O'brien
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Points of View: The Given as an Art-Political Statement
Billy Apple
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Return to the Land - two kiwis, two huts and two silos
Graham Percy
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07. Letter I, Exercise IV: You cannot get the same dark power with pencil as with ink""
Stephen Farthing
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Untitled Vignette
Michael Dell
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Girl with String
Mark Cross
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Head
Alistair Nisbet-smith
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27. Letter II, 127: You may think we have said enough about the tree already""
Stephen Farthing
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12. Letter I, Exercise VII: When you have done one square proceed to do another""
Stephen Farthing
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22. Letter II, 104: Foliage for two reasons... always accesible... leading or governing lines""
Stephen Farthing
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Untitled
Jeffrey Harris
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Baillif III
Douglas Macdiarmid
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18. Letter I, Exercise X, continued: And some leaves seen with the edge turned towards you""
Stephen Farthing
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The Titirangi House from the Garden
Colin Mccahon
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The Clock Tower Building, Auckland University
Frederick Ellis
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Untitled (from the Energy Diagrams series)
Kathy Barry
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Untitled Drawing (Koru Series)
Gordon Walters
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Ideas for a Mace for the University of Auckland
Paul Beadle
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Creatures in Space XIII
Douglas Macdiarmid
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24. Letter II, 108: That leaf is the main one that bough is the guilding one""
Stephen Farthing
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13. Letter I, Exercise VIII: If you can draw a stone, you can draw anything""
Stephen Farthing
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04. Letter I, Exercise I: Try to fill in that square with crossed lines""
Stephen Farthing
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Dream Construction
Philippa Blair
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Study for Sculpture
Jim Allen
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28. Letter II, 104: So that the moment a touch is monotonous, it must also be false""
Stephen Farthing
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29. Letter II, 142: Ripple from a wild ducks breast""
Stephen Farthing
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16. Letter I, Exercise X Put on a wash of colour, prepared very pale... then another wash""
Stephen Farthing
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23. Letter I, 105: The idea and main purpose in every branch are to carry all its child brances well out to the air and light""
Stephen Farthing
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21. Letter I, Exercise X, continued: A perfect artist habitually sees masses not edges""
Stephen Farthing
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Untitled collage
Greer Twiss
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The Politics of Geometry
Richard Killeen
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Hobson Street
James Boswell
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Numbered and Signed: The Given as an Art-Political Statement
Billy Apple
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19. Letter I, Exercise X: You need not copy touch for touch... Rembrandt is often too loose and vague""
Stephen Farthing
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Figure (Listening)
James Ross
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Black double ended series 280/36
John Lethbridge
Artist
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FARTHING, Stephen 31
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PERCY, Graham 6
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MACDIARMID, Douglas 5
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BEADLE, Paul 3
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BLAIR, Philippa 3
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BOSWELL, James 3
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DADSON, Phil 3
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APPLE, Billy 2
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BINNEY, Don 2
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BROWN, David 2