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Marine artist - Alfred Wallis + sample wave. St. Ives 1965
Gavin Chilcott
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Toka Toka from Te Maire
Don Binney
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08. Letter I, Exercise V: To be able to draw any form at once""
Stephen Farthing
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29. Letter II, 142: Ripple from a wild ducks breast""
Stephen Farthing
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Study for Sculpture
Jim Allen
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The Hostage Unity Theatre
Raymond Boyce
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13. Letter I, Exercise VIII: If you can draw a stone, you can draw anything""
Stephen Farthing
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Blue Paper - Panel 2
Glenys Brookbanks
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Mana Island, Northern Aspect, From Karehana Bay.
Don Binney
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16. Letter I, Exercise X Put on a wash of colour, prepared very pale... then another wash""
Stephen Farthing
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09. Letter I, Exercise VI: Consider the dark boughs of the tree as dark rivers""
Stephen Farthing
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Head
Alistair Nisbet-smith
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Untitled Drawing (Koru Series)
Gordon Walters
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Gymnasium: Circus Drawing
Adrian Hall
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04. Letter I, Exercise I: Try to fill in that square with crossed lines""
Stephen Farthing
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Arthur Sandall
Paul Beadle
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Figure (Listening)
James Ross
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Baillif XVI A
Douglas Macdiarmid
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Untitled
Nicholas Oram
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Numbered and Signed: The Given as an Art-Political Statement
Billy Apple
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Perspective View of Arts Building and Student Club from Symonds Street
LIPPINCOTT & BILLSON
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Untitled Vignette
Michael Dell
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24. Letter II, 108: That leaf is the main one that bough is the guilding one""
Stephen Farthing
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Portrait of Mary Stanley
Una Platts
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Untitled (from the Energy Diagrams series)
Kathy Barry
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Untitled
Jeffrey Harris
-
Portrait of Prof. J .C. Beaglehole
Avis Higgs
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01. The Title Page of the June 22nd 1857 Smith Elder & Co. of London, edition
Stephen Farthing
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18. Letter I, Exercise X, continued: And some leaves seen with the edge turned towards you""
Stephen Farthing
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10. Letter I, Exercise VI, continued: The brush is often more convenient for laying on masses of tints and shades""
Stephen Farthing
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19. Letter I, Exercise X: You need not copy touch for touch... Rembrandt is often too loose and vague""
Stephen Farthing
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Black double ended series 280/36
John Lethbridge
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23. Letter I, 105: The idea and main purpose in every branch are to carry all its child brances well out to the air and light""
Stephen Farthing
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28. Letter II, 104: So that the moment a touch is monotonous, it must also be false""
Stephen Farthing
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11. Letter I, Exercise VI, continued: You cannot do too many of these""
Stephen Farthing
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Within a Rachel Whiteread installation
Graham Percy
-
14. Letter I, Exercise VIII: Spots that follow the folds of printed stuff""
Stephen Farthing
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Return to the Land - two kiwis, two huts and two silos
Graham Percy
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30. Letter III, 193: The law of principality""
Stephen Farthing
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Hobson Street
James Boswell
-
Black double ended series 280/35
John Lethbridge
-
06. Letter I, Exercise III: When your eye gets keen and true - you will see gradation in everything in nature""
Stephen Farthing
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Rift Structure
Nancy de Freitas
-
12. Letter I, Exercise VII: When you have done one square proceed to do another""
Stephen Farthing
-
Dream Construction
Philippa Blair
Artist
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FARTHING, Stephen 31
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PERCY, Graham 6
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MACDIARMID, Douglas 5
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BEADLE, Paul 3
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BLAIR, Philippa 3
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BOSWELL, James 3
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DADSON, Phil 3
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APPLE, Billy 2
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BINNEY, Don 2
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BROWN, David 2