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26. Letter II, 122: Avoid studies where one thing seen is through another""
Stephen Farthing
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08. Letter I, Exercise V: To be able to draw any form at once""
Stephen Farthing
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10. Letter I, Exercise VI, continued: The brush is often more convenient for laying on masses of tints and shades""
Stephen Farthing
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19. Letter I, Exercise X: You need not copy touch for touch... Rembrandt is often too loose and vague""
Stephen Farthing
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05. Letter I, Exercise II: The pen should, as it were, walk slowly over the ground""
Stephen Farthing
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18. Letter I, Exercise X, continued: And some leaves seen with the edge turned towards you""
Stephen Farthing
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Blue Paper - Panel 2
Glenys Brookbanks
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The Lion and the Mouse
Graham Percy
Artist
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FARTHING, Stephen 31
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PERCY, Graham 6
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MACDIARMID, Douglas 5
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BEADLE, Paul 3
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BLAIR, Philippa 3
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BOSWELL, James 3
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DADSON, Phil 3
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APPLE, Billy 2
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BINNEY, Don 2
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BROWN, David 2