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27. Letter II, 127: You may think we have said enough about the tree already""
Stephen Farthing
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Return to the Land - two kiwis, two huts and two silos
Graham Percy
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29. Letter II, 142: Ripple from a wild ducks breast""
Stephen Farthing
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Points of View: The Given as an Art-Political Statement
Billy Apple
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Portrait of Prof. J .C. Beaglehole
Avis Higgs
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Ideas for a Mace for the University of Auckland
Paul Beadle
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The Hostage Unity Theatre
Raymond Boyce
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Rift Structure
Nancy de Freitas
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Untitled - two images
R.b. Stoddart
-
23. Letter I, 105: The idea and main purpose in every branch are to carry all its child brances well out to the air and light""
Stephen Farthing
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12. Letter I, Exercise VII: When you have done one square proceed to do another""
Stephen Farthing
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The Fox and the Stork
Graham Percy
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Black double ended series 280/35
John Lethbridge
-
31. Letter III, 210: Rembrandt's elephant""
Stephen Farthing
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30. Letter III, 193: The law of principality""
Stephen Farthing
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20. Letter I, Exercise X, continued: The perfect way of drawing is with shade and without line""
Stephen Farthing
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01. The Title Page of the June 22nd 1857 Smith Elder & Co. of London, edition
Stephen Farthing
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Toka Toka from Te Maire
Don Binney
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Within a Rachel Whiteread installation
Graham Percy
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And this also is the Point of Saying Goodbye
Gregory O'brien
-
Perspective View of Arts Building and Student Club from Symonds Street
LIPPINCOTT & BILLSON
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17. Letter I, Exercise X: Draw first only two or three leaves""
Stephen Farthing
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Baillif XVI A
Douglas Macdiarmid
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Mana Island, Northern Aspect, From Karehana Bay.
Don Binney
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19. Letter I, Exercise X: You need not copy touch for touch... Rembrandt is often too loose and vague""
Stephen Farthing
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11. Letter I, Exercise VI, continued: You cannot do too many of these""
Stephen Farthing
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The Titirangi House from the Garden
Colin Mccahon
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The Politics of Geometry
Richard Killeen
-
21. Letter I, Exercise X, continued: A perfect artist habitually sees masses not edges""
Stephen Farthing
-
04. Letter I, Exercise I: Try to fill in that square with crossed lines""
Stephen Farthing
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Girl with String
Mark Cross
-
Portrait A.G.Davis
Paul Beadle
-
10. Letter I, Exercise VI, continued: The brush is often more convenient for laying on masses of tints and shades""
Stephen Farthing
-
Portrait of Mary Stanley
Una Platts
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Taurus
Philippa Blair
-
Head
Alistair Nisbet-smith
-
Nelson Street
James Boswell
-
Arthur Sandall
Paul Beadle
-
Creatures in Space XIII
Douglas Macdiarmid
-
05. Letter I, Exercise II: The pen should, as it were, walk slowly over the ground""
Stephen Farthing
-
Gymnasium: Circus Drawing
Adrian Hall
-
Untitled
Nicholas Oram
-
Hobson Street
James Boswell
-
Baillif III
Douglas Macdiarmid
-
Two Yellow Lines
Greer Twiss
Artist
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FARTHING, Stephen 31
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PERCY, Graham 6
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MACDIARMID, Douglas 5
-
BEADLE, Paul 3
-
BLAIR, Philippa 3
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BOSWELL, James 3
-
DADSON, Phil 3
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APPLE, Billy 2
-
BINNEY, Don 2
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BROWN, David 2