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Hobson Street
James Boswell
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03. From the preface: I do not think that figures, as chief subjects can be drawn to any good purpose by an amateur""
Stephen Farthing
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Marine artist - Alfred Wallis + sample wave. St. Ives 1965
Gavin Chilcott
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Untitled
Michael Dell
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20. Letter I, Exercise X, continued: The perfect way of drawing is with shade and without line""
Stephen Farthing
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The Lion and the Mouse
Graham Percy
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17. Letter I, Exercise X: Draw first only two or three leaves""
Stephen Farthing
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10. Letter I, Exercise VI, continued: The brush is often more convenient for laying on masses of tints and shades""
Stephen Farthing
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30. Letter III, 193: The law of principality""
Stephen Farthing
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Light Angel
Philippa Blair
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11. Letter I, Exercise VI, continued: You cannot do too many of these""
Stephen Farthing
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Baillif XVI A
Douglas Macdiarmid
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Portrait A.G.Davis
Paul Beadle
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15. Letter I, Exercise VIII: Following the spots which fall into the folds of the skin""
Stephen Farthing
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Dream Construction
Philippa Blair
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Taurus
Philippa Blair
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12. Letter I, Exercise VII: When you have done one square proceed to do another""
Stephen Farthing
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The Politics of Geometry
Richard Killeen
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The Hostage Unity Theatre
Raymond Boyce
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02. From the preface: I do not think that figures, as chief subjects can be drawn to any good purpose by an amateur""
Stephen Farthing
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Head
Alistair Nisbet-smith
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Portrait of Mary Stanley
Una Platts
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Mana Island, Northern Aspect, From Karehana Bay.
Don Binney
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25. Letter II, 112: Copying photographs and unpacking nudes""
Stephen Farthing
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Perspective View of Arts Building and Student Club from Symonds Street
LIPPINCOTT & BILLSON
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Portrait of Prof. J .C. Beaglehole
Avis Higgs
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06. Letter I, Exercise III: When your eye gets keen and true - you will see gradation in everything in nature""
Stephen Farthing
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08. Letter I, Exercise V: To be able to draw any form at once""
Stephen Farthing
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18. Letter I, Exercise X, continued: And some leaves seen with the edge turned towards you""
Stephen Farthing
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05. Letter I, Exercise II: The pen should, as it were, walk slowly over the ground""
Stephen Farthing
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Return to the Land - two kiwis, two huts and two silos
Graham Percy
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Head
Alistair Nisbet-smith
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Two Yellow Lines
Greer Twiss
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07. Letter I, Exercise IV: You cannot get the same dark power with pencil as with ink""
Stephen Farthing
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Nelson Street
James Boswell
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13. Letter I, Exercise VIII: If you can draw a stone, you can draw anything""
Stephen Farthing
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28. Letter II, 104: So that the moment a touch is monotonous, it must also be false""
Stephen Farthing
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Numbered and Signed: The Given as an Art-Political Statement
Billy Apple
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Ideas for a Mace for the University of Auckland
Paul Beadle
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19. Letter I, Exercise X: You need not copy touch for touch... Rembrandt is often too loose and vague""
Stephen Farthing
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The Fox and the Stork
Graham Percy
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09. Letter I, Exercise VI: Consider the dark boughs of the tree as dark rivers""
Stephen Farthing
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Gymnasium: Circus Drawing
Adrian Hall
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The Titirangi House from the Garden
Colin Mccahon
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22. Letter II, 104: Foliage for two reasons... always accesible... leading or governing lines""
Stephen Farthing
Artist
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FARTHING, Stephen 31
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PERCY, Graham 6
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MACDIARMID, Douglas 5
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BEADLE, Paul 3
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BLAIR, Philippa 3
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BOSWELL, James 3
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DADSON, Phil 3
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APPLE, Billy 2
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BINNEY, Don 2
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BROWN, David 2