-
Return to the Land - two kiwis, two huts and two silos
Graham Percy
-
Within a Rachel Whiteread installation
Graham Percy
-
26. Letter II, 122: Avoid studies where one thing seen is through another""
Stephen Farthing
-
Mana Island, Northern Aspect, From Karehana Bay.
Don Binney
-
And this also is the Point of Saying Goodbye
Gregory O'brien
-
Untitled Drawing (Koru Series)
Gordon Walters
-
Dream Construction
Philippa Blair
-
23. Letter I, 105: The idea and main purpose in every branch are to carry all its child brances well out to the air and light""
Stephen Farthing
-
Anxiety
Douglas Macdiarmid
-
Marine artist - Alfred Wallis + sample wave. St. Ives 1965
Gavin Chilcott
-
Ideas for a Mace for the University of Auckland
Paul Beadle
-
13. Letter I, Exercise VIII: If you can draw a stone, you can draw anything""
Stephen Farthing
-
17. Letter I, Exercise X: Draw first only two or three leaves""
Stephen Farthing
-
Soundtrack 5
Phil Dadson
-
19. Letter I, Exercise X: You need not copy touch for touch... Rembrandt is often too loose and vague""
Stephen Farthing
-
31. Letter III, 210: Rembrandt's elephant""
Stephen Farthing
-
The Politics of Geometry
Richard Killeen
-
Two Yellow Lines
Greer Twiss
-
11. Letter I, Exercise VI, continued: You cannot do too many of these""
Stephen Farthing
-
Gymnasium: Circus Drawing
Adrian Hall
-
Toka Toka from Te Maire
Don Binney
-
28. Letter II, 104: So that the moment a touch is monotonous, it must also be false""
Stephen Farthing
-
01. The Title Page of the June 22nd 1857 Smith Elder & Co. of London, edition
Stephen Farthing
-
Black double ended series 280/35
John Lethbridge
-
Untitled collage
Greer Twiss
-
Conversation VIII
Douglas Macdiarmid
-
20. Letter I, Exercise X, continued: The perfect way of drawing is with shade and without line""
Stephen Farthing
-
29. Letter II, 142: Ripple from a wild ducks breast""
Stephen Farthing
-
The Fox and the Stork
Graham Percy
-
Points of View: The Given as an Art-Political Statement
Billy Apple
-
Untitled
Michael Dell
-
Blue Paper - Panel 2
Glenys Brookbanks
-
21. Letter I, Exercise X, continued: A perfect artist habitually sees masses not edges""
Stephen Farthing
-
22. Letter II, 104: Foliage for two reasons... always accesible... leading or governing lines""
Stephen Farthing
-
Baillif XVI A
Douglas Macdiarmid
-
Creatures in Space XIII
Douglas Macdiarmid
-
18. Letter I, Exercise X, continued: And some leaves seen with the edge turned towards you""
Stephen Farthing
-
This is Sigmund Freud advising Joseph Dargaville ...
Graham Percy
-
The Hostage Unity Theatre
Raymond Boyce
-
05. Letter I, Exercise II: The pen should, as it were, walk slowly over the ground""
Stephen Farthing
-
09. Letter I, Exercise VI: Consider the dark boughs of the tree as dark rivers""
Stephen Farthing
-
04. Letter I, Exercise I: Try to fill in that square with crossed lines""
Stephen Farthing
-
Taurus
Philippa Blair
-
Girl with String
Mark Cross
-
16. Letter I, Exercise X Put on a wash of colour, prepared very pale... then another wash""
Stephen Farthing
Artist
-
FARTHING, Stephen 31
-
PERCY, Graham 6
-
MACDIARMID, Douglas 5
-
BEADLE, Paul 3
-
BLAIR, Philippa 3
-
BOSWELL, James 3
-
DADSON, Phil 3
-
APPLE, Billy 2
-
BINNEY, Don 2
-
BROWN, David 2