-
29. Letter II, 142: Ripple from a wild ducks breast""
Stephen Farthing
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Baillif XVI A
Douglas Macdiarmid
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Figure (Listening)
James Ross
-
18. Letter I, Exercise X, continued: And some leaves seen with the edge turned towards you""
Stephen Farthing
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Within a Rachel Whiteread installation
Graham Percy
-
30. Letter III, 193: The law of principality""
Stephen Farthing
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Untitled
Nicholas Oram
-
Return to the Land - two kiwis, two huts and two silos
Graham Percy
-
Black double ended series 280/36
John Lethbridge
-
Gymnasium: Circus Drawing
Adrian Hall
-
Black double ended series 280/35
John Lethbridge
-
Numbered and Signed: The Given as an Art-Political Statement
Billy Apple
-
Taurus
Philippa Blair
-
12. Letter I, Exercise VII: When you have done one square proceed to do another""
Stephen Farthing
-
Anxiety
Douglas Macdiarmid
-
Portrait A.G.Davis
Paul Beadle
-
31. Letter III, 210: Rembrandt's elephant""
Stephen Farthing
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20. Letter I, Exercise X, continued: The perfect way of drawing is with shade and without line""
Stephen Farthing
-
The Titirangi House from the Garden
Colin Mccahon
-
Untitled
Jeffrey Harris
-
05. Letter I, Exercise II: The pen should, as it were, walk slowly over the ground""
Stephen Farthing
-
09. Letter I, Exercise VI: Consider the dark boughs of the tree as dark rivers""
Stephen Farthing
-
17. Letter I, Exercise X: Draw first only two or three leaves""
Stephen Farthing
-
Toka Toka from Te Maire
Don Binney
-
Surasundari 1
Neville Campbell
-
08. Letter I, Exercise V: To be able to draw any form at once""
Stephen Farthing
-
Baillif III
Douglas Macdiarmid
-
22. Letter II, 104: Foliage for two reasons... always accesible... leading or governing lines""
Stephen Farthing
-
Dream Construction
Philippa Blair
-
Blue Paper - Panel 2
Glenys Brookbanks
-
03. From the preface: I do not think that figures, as chief subjects can be drawn to any good purpose by an amateur""
Stephen Farthing
-
13. Letter I, Exercise VIII: If you can draw a stone, you can draw anything""
Stephen Farthing
-
21. Letter I, Exercise X, continued: A perfect artist habitually sees masses not edges""
Stephen Farthing
-
01. The Title Page of the June 22nd 1857 Smith Elder & Co. of London, edition
Stephen Farthing
-
Nelson Street
James Boswell
-
Hobson Street
James Boswell
-
Marine artist - Alfred Wallis + sample wave. St. Ives 1965
Gavin Chilcott
-
Untitled Drawing (Koru Series)
Gordon Walters
-
Study for Sculpture
Jim Allen
-
Ideas for a Mace for the University of Auckland
Paul Beadle
-
Portrait of Mary Stanley
Una Platts
-
27. Letter II, 127: You may think we have said enough about the tree already""
Stephen Farthing
-
Untitled (from the Energy Diagrams series)
Kathy Barry
-
The Hostage Unity Theatre
Raymond Boyce
-
Soundtrack 5
Phil Dadson
Artist
-
FARTHING, Stephen 31
-
PERCY, Graham 6
-
MACDIARMID, Douglas 5
-
BEADLE, Paul 3
-
BLAIR, Philippa 3
-
BOSWELL, James 3
-
DADSON, Phil 3
-
APPLE, Billy 2
-
BINNEY, Don 2
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BROWN, David 2