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12. Letter I, Exercise VII: When you have done one square proceed to do another""
Stephen Farthing
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10. Letter I, Exercise VI, continued: The brush is often more convenient for laying on masses of tints and shades""
Stephen Farthing
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27. Letter II, 127: You may think we have said enough about the tree already""
Stephen Farthing
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Marine artist - Alfred Wallis + sample wave. St. Ives 1965
Gavin Chilcott
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31. Letter III, 210: Rembrandt's elephant""
Stephen Farthing
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Numbered and Signed: The Given as an Art-Political Statement
Billy Apple
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Portrait A.G.Davis
Paul Beadle
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Figure (Listening)
James Ross
-
Untitled
Jeffrey Harris
-
Study for Sculpture
Jim Allen
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Hobson Street
James Boswell
-
Untitled
Michael Dell
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Portrait of Mary Stanley
Una Platts
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06. Letter I, Exercise III: When your eye gets keen and true - you will see gradation in everything in nature""
Stephen Farthing
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And this also is the Point of Saying Goodbye
Gregory O'brien
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Nelson Street
James Boswell
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The Hostage Unity Theatre
Raymond Boyce
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This is Sigmund Freud advising Joseph Dargaville ...
Graham Percy
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Portrait of Prof. J .C. Beaglehole
Avis Higgs
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15. Letter I, Exercise VIII: Following the spots which fall into the folds of the skin""
Stephen Farthing
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Untitled collage
Greer Twiss
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Creatures in Space XIII
Douglas Macdiarmid
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Girl with String
Mark Cross
-
Untitled Vignette
Michael Dell
-
Black double ended series 280/35
John Lethbridge
-
Untitled
Nicholas Oram
-
17. Letter I, Exercise X: Draw first only two or three leaves""
Stephen Farthing
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Head
Alistair Nisbet-smith
-
Arthur Sandall
Paul Beadle
-
Taurus
Philippa Blair
-
19. Letter I, Exercise X: You need not copy touch for touch... Rembrandt is often too loose and vague""
Stephen Farthing
-
Baillif III
Douglas Macdiarmid
-
07. Letter I, Exercise IV: You cannot get the same dark power with pencil as with ink""
Stephen Farthing
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Toka Toka from Te Maire
Don Binney
-
14. Letter I, Exercise VIII: Spots that follow the folds of printed stuff""
Stephen Farthing
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23. Letter I, 105: The idea and main purpose in every branch are to carry all its child brances well out to the air and light""
Stephen Farthing
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21. Letter I, Exercise X, continued: A perfect artist habitually sees masses not edges""
Stephen Farthing
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13. Letter I, Exercise VIII: If you can draw a stone, you can draw anything""
Stephen Farthing
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Within a Rachel Whiteread installation
Graham Percy
-
Dream Construction
Philippa Blair
-
Untitled (from the Energy Diagrams series)
Kathy Barry
-
16. Letter I, Exercise X Put on a wash of colour, prepared very pale... then another wash""
Stephen Farthing
-
The Politics of Geometry
Richard Killeen
-
The Clock Tower Building, Auckland University
Frederick Ellis
-
The Fox and the Stork
Graham Percy
Artist
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FARTHING, Stephen 31
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PERCY, Graham 6
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MACDIARMID, Douglas 5
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BEADLE, Paul 3
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BLAIR, Philippa 3
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BOSWELL, James 3
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DADSON, Phil 3
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APPLE, Billy 2
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BINNEY, Don 2
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BROWN, David 2