-
Light Angel
Philippa Blair
-
This is Sigmund Freud advising Joseph Dargaville ...
Graham Percy
-
22. Letter II, 104: Foliage for two reasons... always accesible... leading or governing lines""
Stephen Farthing
-
Anxiety
Douglas Macdiarmid
-
29. Letter II, 142: Ripple from a wild ducks breast""
Stephen Farthing
-
Black double ended series 280/36
John Lethbridge
-
Rift Structure
Nancy de Freitas
-
Points of View: The Given as an Art-Political Statement
Billy Apple
-
The Lion and the Mouse
Graham Percy
-
Baillif XVI A
Douglas Macdiarmid
-
Toka Toka from Te Maire
Don Binney
-
17. Letter I, Exercise X: Draw first only two or three leaves""
Stephen Farthing
-
24. Letter II, 108: That leaf is the main one that bough is the guilding one""
Stephen Farthing
-
30. Letter III, 193: The law of principality""
Stephen Farthing
-
Mana Island, Northern Aspect, From Karehana Bay.
Don Binney
-
05. Letter I, Exercise II: The pen should, as it were, walk slowly over the ground""
Stephen Farthing
-
Numbered and Signed: The Given as an Art-Political Statement
Billy Apple
-
Baillif III
Douglas Macdiarmid
-
Dream Construction
Philippa Blair
-
Untitled
Jeffrey Harris
-
The Hostage Unity Theatre
Raymond Boyce
-
10. Letter I, Exercise VI, continued: The brush is often more convenient for laying on masses of tints and shades""
Stephen Farthing
-
Figure (Listening)
James Ross
-
Arthur Sandall
Paul Beadle
-
04. Letter I, Exercise I: Try to fill in that square with crossed lines""
Stephen Farthing
-
The Politics of Geometry
Richard Killeen
-
13. Letter I, Exercise VIII: If you can draw a stone, you can draw anything""
Stephen Farthing
-
Portrait of Prof. J .C. Beaglehole
Avis Higgs
-
The Titirangi House from the Garden
Colin Mccahon
-
Hobson Street
James Boswell
-
26. Letter II, 122: Avoid studies where one thing seen is through another""
Stephen Farthing
-
Untitled collage
Greer Twiss
-
And this also is the Point of Saying Goodbye
Gregory O'brien
-
20. Letter I, Exercise X, continued: The perfect way of drawing is with shade and without line""
Stephen Farthing
-
Untitled
Nicholas Oram
-
19. Letter I, Exercise X: You need not copy touch for touch... Rembrandt is often too loose and vague""
Stephen Farthing
-
18. Letter I, Exercise X, continued: And some leaves seen with the edge turned towards you""
Stephen Farthing
-
Marine artist - Alfred Wallis + sample wave. St. Ives 1965
Gavin Chilcott
-
Taurus
Philippa Blair
-
31. Letter III, 210: Rembrandt's elephant""
Stephen Farthing
-
Untitled Drawing (Koru Series)
Gordon Walters
-
Surasundari 1
Neville Campbell
-
28. Letter II, 104: So that the moment a touch is monotonous, it must also be false""
Stephen Farthing
-
The Fox and the Stork
Graham Percy
-
Soundtrack 5
Phil Dadson
Artist
-
FARTHING, Stephen 31
-
PERCY, Graham 6
-
MACDIARMID, Douglas 5
-
BEADLE, Paul 3
-
BLAIR, Philippa 3
-
BOSWELL, James 3
-
DADSON, Phil 3
-
APPLE, Billy 2
-
BINNEY, Don 2
-
BROWN, David 2