-
Untitled - two images
R.b. Stoddart
-
Baillif III
Douglas Macdiarmid
-
Blue Paper - Panel 2
Glenys Brookbanks
-
And this also is the Point of Saying Goodbye
Gregory O'brien
-
14. Letter I, Exercise VIII: Spots that follow the folds of printed stuff""
Stephen Farthing
-
Surasundari 1
Neville Campbell
-
11. Letter I, Exercise VI, continued: You cannot do too many of these""
Stephen Farthing
-
The Fox and the Stork
Graham Percy
-
23. Letter I, 105: The idea and main purpose in every branch are to carry all its child brances well out to the air and light""
Stephen Farthing
-
05. Letter I, Exercise II: The pen should, as it were, walk slowly over the ground""
Stephen Farthing
-
08. Letter I, Exercise V: To be able to draw any form at once""
Stephen Farthing
-
Rift Structure
Nancy de Freitas
-
Arthur Sandall
Paul Beadle
-
Two Yellow Lines
Greer Twiss
-
26. Letter II, 122: Avoid studies where one thing seen is through another""
Stephen Farthing
-
Untitled
Jeffrey Harris
-
12. Letter I, Exercise VII: When you have done one square proceed to do another""
Stephen Farthing
-
Untitled (from the Energy Diagrams series)
Kathy Barry
-
Black double ended series 280/35
John Lethbridge
-
13. Letter I, Exercise VIII: If you can draw a stone, you can draw anything""
Stephen Farthing
-
06. Letter I, Exercise III: When your eye gets keen and true - you will see gradation in everything in nature""
Stephen Farthing
-
21. Letter I, Exercise X, continued: A perfect artist habitually sees masses not edges""
Stephen Farthing
-
Return to the Land - two kiwis, two huts and two silos
Graham Percy
-
Untitled
Michael Dell
-
Portrait of Mary Stanley
Una Platts
-
Girl with String
Mark Cross
-
28. Letter II, 104: So that the moment a touch is monotonous, it must also be false""
Stephen Farthing
-
Marine artist - Alfred Wallis + sample wave. St. Ives 1965
Gavin Chilcott
-
Portrait A.G.Davis
Paul Beadle
-
10. Letter I, Exercise VI, continued: The brush is often more convenient for laying on masses of tints and shades""
Stephen Farthing
-
Study for Sculpture
Jim Allen
-
18. Letter I, Exercise X, continued: And some leaves seen with the edge turned towards you""
Stephen Farthing
-
20. Letter I, Exercise X, continued: The perfect way of drawing is with shade and without line""
Stephen Farthing
-
Head
Alistair Nisbet-smith
-
29. Letter II, 142: Ripple from a wild ducks breast""
Stephen Farthing
-
Untitled collage
Greer Twiss
-
Untitled Vignette
Michael Dell
-
Untitled
Nicholas Oram
-
Figure (Listening)
James Ross
-
The Titirangi House from the Garden
Colin Mccahon
-
Conversation VIII
Douglas Macdiarmid
-
Baillif XVI A
Douglas Macdiarmid
-
Points of View: The Given as an Art-Political Statement
Billy Apple
-
Soundtrack 5
Phil Dadson
-
17. Letter I, Exercise X: Draw first only two or three leaves""
Stephen Farthing
Artist
-
FARTHING, Stephen 31
-
PERCY, Graham 6
-
MACDIARMID, Douglas 5
-
BEADLE, Paul 3
-
BLAIR, Philippa 3
-
BOSWELL, James 3
-
DADSON, Phil 3
-
APPLE, Billy 2
-
BINNEY, Don 2
-
BROWN, David 2