-
24. Letter II, 108: That leaf is the main one that bough is the guilding one""
Stephen Farthing
-
The Politics of Geometry
Richard Killeen
-
Rift Structure
Nancy de Freitas
-
Creatures in Space XIII
Douglas Macdiarmid
-
Untitled Drawing (Koru Series)
Gordon Walters
-
Untitled Vignette
Michael Dell
-
03. From the preface: I do not think that figures, as chief subjects can be drawn to any good purpose by an amateur""
Stephen Farthing
-
19. Letter I, Exercise X: You need not copy touch for touch... Rembrandt is often too loose and vague""
Stephen Farthing
-
The Titirangi House from the Garden
Colin Mccahon
-
Untitled (from the Energy Diagrams series)
Kathy Barry
-
11. Letter I, Exercise VI, continued: You cannot do too many of these""
Stephen Farthing
-
Portrait of Mary Stanley
Una Platts
-
Surasundari 1
Neville Campbell
-
Return to the Land - two kiwis, two huts and two silos
Graham Percy
-
Ideas for a Mace for the University of Auckland
Paul Beadle
-
The Clock Tower Building, Auckland University
Frederick Ellis
-
15. Letter I, Exercise VIII: Following the spots which fall into the folds of the skin""
Stephen Farthing
-
30. Letter III, 193: The law of principality""
Stephen Farthing
-
Dream Construction
Philippa Blair
-
12. Letter I, Exercise VII: When you have done one square proceed to do another""
Stephen Farthing
-
Conversation VIII
Douglas Macdiarmid
-
Anxiety
Douglas Macdiarmid
-
21. Letter I, Exercise X, continued: A perfect artist habitually sees masses not edges""
Stephen Farthing
-
08. Letter I, Exercise V: To be able to draw any form at once""
Stephen Farthing
-
And this also is the Point of Saying Goodbye
Gregory O'brien
-
Blue Paper - Panel 2
Glenys Brookbanks
-
13. Letter I, Exercise VIII: If you can draw a stone, you can draw anything""
Stephen Farthing
-
28. Letter II, 104: So that the moment a touch is monotonous, it must also be false""
Stephen Farthing
-
04. Letter I, Exercise I: Try to fill in that square with crossed lines""
Stephen Farthing
-
Black double ended series 280/36
John Lethbridge
-
31. Letter III, 210: Rembrandt's elephant""
Stephen Farthing
-
Untitled
Michael Dell
-
02. From the preface: I do not think that figures, as chief subjects can be drawn to any good purpose by an amateur""
Stephen Farthing
-
17. Letter I, Exercise X: Draw first only two or three leaves""
Stephen Farthing
-
The Fox and the Stork
Graham Percy
-
25. Letter II, 112: Copying photographs and unpacking nudes""
Stephen Farthing
-
Perspective View of Arts Building and Student Club from Symonds Street
LIPPINCOTT & BILLSON
-
Untitled
Nicholas Oram
-
27. Letter II, 127: You may think we have said enough about the tree already""
Stephen Farthing
-
14. Letter I, Exercise VIII: Spots that follow the folds of printed stuff""
Stephen Farthing
-
Girl with String
Mark Cross
-
The Hostage Unity Theatre
Raymond Boyce
-
18. Letter I, Exercise X, continued: And some leaves seen with the edge turned towards you""
Stephen Farthing
-
The Lion and the Mouse
Graham Percy
-
Two Yellow Lines
Greer Twiss
Artist
-
FARTHING, Stephen 31
-
PERCY, Graham 6
-
MACDIARMID, Douglas 5
-
BEADLE, Paul 3
-
BLAIR, Philippa 3
-
BOSWELL, James 3
-
DADSON, Phil 3
-
APPLE, Billy 2
-
BINNEY, Don 2
-
BROWN, David 2