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14. Letter I, Exercise VIII: Spots that follow the folds of printed stuff""
Stephen Farthing
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The Clock Tower Building, Auckland University
Frederick Ellis
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29. Letter II, 142: Ripple from a wild ducks breast""
Stephen Farthing
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07. Letter I, Exercise IV: You cannot get the same dark power with pencil as with ink""
Stephen Farthing
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Two Yellow Lines
Greer Twiss
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03. From the preface: I do not think that figures, as chief subjects can be drawn to any good purpose by an amateur""
Stephen Farthing
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11. Letter I, Exercise VI, continued: You cannot do too many of these""
Stephen Farthing
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The Politics of Geometry
Richard Killeen
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Perspective View of Arts Building and Student Club from Symonds Street
LIPPINCOTT & BILLSON
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Figure (Listening)
James Ross
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Dream Construction
Philippa Blair
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This is Sigmund Freud advising Joseph Dargaville ...
Graham Percy
-
02. From the preface: I do not think that figures, as chief subjects can be drawn to any good purpose by an amateur""
Stephen Farthing
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27. Letter II, 127: You may think we have said enough about the tree already""
Stephen Farthing
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Portrait A.G.Davis
Paul Beadle
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Surasundari 1
Neville Campbell
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The Titirangi House from the Garden
Colin Mccahon
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Toka Toka from Te Maire
Don Binney
-
25. Letter II, 112: Copying photographs and unpacking nudes""
Stephen Farthing
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Points of View: The Given as an Art-Political Statement
Billy Apple
-
19. Letter I, Exercise X: You need not copy touch for touch... Rembrandt is often too loose and vague""
Stephen Farthing
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Numbered and Signed: The Given as an Art-Political Statement
Billy Apple
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Within a Rachel Whiteread installation
Graham Percy
-
Light Angel
Philippa Blair
-
16. Letter I, Exercise X Put on a wash of colour, prepared very pale... then another wash""
Stephen Farthing
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The Fox and the Stork
Graham Percy
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Gymnasium: Circus Drawing
Adrian Hall
-
Creatures in Space XIII
Douglas Macdiarmid
-
Untitled
Jeffrey Harris
-
Untitled
Michael Dell
-
Untitled
Nicholas Oram
-
23. Letter I, 105: The idea and main purpose in every branch are to carry all its child brances well out to the air and light""
Stephen Farthing
-
Conversation VIII
Douglas Macdiarmid
-
Untitled - two images
R.b. Stoddart
-
Untitled (from the Energy Diagrams series)
Kathy Barry
-
Black double ended series 280/36
John Lethbridge
-
17. Letter I, Exercise X: Draw first only two or three leaves""
Stephen Farthing
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20. Letter I, Exercise X, continued: The perfect way of drawing is with shade and without line""
Stephen Farthing
-
06. Letter I, Exercise III: When your eye gets keen and true - you will see gradation in everything in nature""
Stephen Farthing
-
Untitled collage
Greer Twiss
-
10. Letter I, Exercise VI, continued: The brush is often more convenient for laying on masses of tints and shades""
Stephen Farthing
-
22. Letter II, 104: Foliage for two reasons... always accesible... leading or governing lines""
Stephen Farthing
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31. Letter III, 210: Rembrandt's elephant""
Stephen Farthing
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Mana Island, Northern Aspect, From Karehana Bay.
Don Binney
-
Anxiety
Douglas Macdiarmid
Artist
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FARTHING, Stephen 31
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PERCY, Graham 6
-
MACDIARMID, Douglas 5
-
BEADLE, Paul 3
-
BLAIR, Philippa 3
-
BOSWELL, James 3
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DADSON, Phil 3
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APPLE, Billy 2
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BINNEY, Don 2
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BROWN, David 2