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26. Letter II, 122: Avoid studies where one thing seen is through another""
Stephen Farthing
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Study for Sculpture
Jim Allen
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20. Letter I, Exercise X, continued: The perfect way of drawing is with shade and without line""
Stephen Farthing
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Anxiety
Douglas Macdiarmid
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Points of View: The Given as an Art-Political Statement
Billy Apple
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19. Letter I, Exercise X: You need not copy touch for touch... Rembrandt is often too loose and vague""
Stephen Farthing
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Head
Alistair Nisbet-smith
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29. Letter II, 142: Ripple from a wild ducks breast""
Stephen Farthing
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Surasundari 1
Neville Campbell
-
Toka Toka from Te Maire
Don Binney
-
17. Letter I, Exercise X: Draw first only two or three leaves""
Stephen Farthing
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The Hostage Unity Theatre
Raymond Boyce
-
Untitled
Jeffrey Harris
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12. Letter I, Exercise VII: When you have done one square proceed to do another""
Stephen Farthing
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Rift Structure
Nancy de Freitas
-
08. Letter I, Exercise V: To be able to draw any form at once""
Stephen Farthing
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Untitled
Michael Dell
-
Creatures in Space XIII
Douglas Macdiarmid
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Taurus
Philippa Blair
-
01. The Title Page of the June 22nd 1857 Smith Elder & Co. of London, edition
Stephen Farthing
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The Titirangi House from the Garden
Colin Mccahon
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25. Letter II, 112: Copying photographs and unpacking nudes""
Stephen Farthing
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Baillif III
Douglas Macdiarmid
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27. Letter II, 127: You may think we have said enough about the tree already""
Stephen Farthing
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Blue Paper - Panel 2
Glenys Brookbanks
-
Arthur Sandall
Paul Beadle
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Untitled Vignette
Michael Dell
-
Soundtrack 5
Phil Dadson
-
21. Letter I, Exercise X, continued: A perfect artist habitually sees masses not edges""
Stephen Farthing
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Two Yellow Lines
Greer Twiss
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And this also is the Point of Saying Goodbye
Gregory O'brien
-
04. Letter I, Exercise I: Try to fill in that square with crossed lines""
Stephen Farthing
-
The Politics of Geometry
Richard Killeen
-
Black double ended series 280/36
John Lethbridge
-
13. Letter I, Exercise VIII: If you can draw a stone, you can draw anything""
Stephen Farthing
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Girl with String
Mark Cross
-
The Fox and the Stork
Graham Percy
-
This is Sigmund Freud advising Joseph Dargaville ...
Graham Percy
-
28. Letter II, 104: So that the moment a touch is monotonous, it must also be false""
Stephen Farthing
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24. Letter II, 108: That leaf is the main one that bough is the guilding one""
Stephen Farthing
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The Lion and the Mouse
Graham Percy
-
Figure (Listening)
James Ross
-
23. Letter I, 105: The idea and main purpose in every branch are to carry all its child brances well out to the air and light""
Stephen Farthing
-
Marine artist - Alfred Wallis + sample wave. St. Ives 1965
Gavin Chilcott
-
Untitled
Nicholas Oram
Artist
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FARTHING, Stephen 31
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PERCY, Graham 6
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MACDIARMID, Douglas 5
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BEADLE, Paul 3
-
BLAIR, Philippa 3
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BOSWELL, James 3
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DADSON, Phil 3
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APPLE, Billy 2
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BINNEY, Don 2
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BROWN, David 2