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29. Letter II, 142: Ripple from a wild ducks breast""
Stephen Farthing
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17. Letter I, Exercise X: Draw first only two or three leaves""
Stephen Farthing
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The Lion and the Mouse
Graham Percy
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Mana Island, Northern Aspect, From Karehana Bay.
Don Binney
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Blue Paper - Panel 2
Glenys Brookbanks
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Two Yellow Lines
Greer Twiss
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Black double ended series 280/36
John Lethbridge
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Nelson Street
James Boswell
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09. Letter I, Exercise VI: Consider the dark boughs of the tree as dark rivers""
Stephen Farthing
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21. Letter I, Exercise X, continued: A perfect artist habitually sees masses not edges""
Stephen Farthing
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Anxiety
Douglas Macdiarmid
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Ideas for a Mace for the University of Auckland
Paul Beadle
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Portrait of Mary Stanley
Una Platts
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Baillif XVI A
Douglas Macdiarmid
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Untitled Vignette
Michael Dell
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Return to the Land - two kiwis, two huts and two silos
Graham Percy
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Head
Alistair Nisbet-smith
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Untitled (from the Energy Diagrams series)
Kathy Barry
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22. Letter II, 104: Foliage for two reasons... always accesible... leading or governing lines""
Stephen Farthing
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Girl with String
Mark Cross
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Rift Structure
Nancy de Freitas
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28. Letter II, 104: So that the moment a touch is monotonous, it must also be false""
Stephen Farthing
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Gymnasium: Circus Drawing
Adrian Hall
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Untitled
Michael Dell
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Hobson Street
James Boswell
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Portrait A.G.Davis
Paul Beadle
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Untitled Drawing (Koru Series)
Gordon Walters
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30. Letter III, 193: The law of principality""
Stephen Farthing
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The Fox and the Stork
Graham Percy
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The Hostage Unity Theatre
Raymond Boyce
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15. Letter I, Exercise VIII: Following the spots which fall into the folds of the skin""
Stephen Farthing
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04. Letter I, Exercise I: Try to fill in that square with crossed lines""
Stephen Farthing
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25. Letter II, 112: Copying photographs and unpacking nudes""
Stephen Farthing
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Taurus
Philippa Blair
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Untitled
Jeffrey Harris
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07. Letter I, Exercise IV: You cannot get the same dark power with pencil as with ink""
Stephen Farthing
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11. Letter I, Exercise VI, continued: You cannot do too many of these""
Stephen Farthing
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Points of View: The Given as an Art-Political Statement
Billy Apple
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10. Letter I, Exercise VI, continued: The brush is often more convenient for laying on masses of tints and shades""
Stephen Farthing
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Perspective View of Arts Building and Student Club from Symonds Street
LIPPINCOTT & BILLSON
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The Clock Tower Building, Auckland University
Frederick Ellis
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05. Letter I, Exercise II: The pen should, as it were, walk slowly over the ground""
Stephen Farthing
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The Politics of Geometry
Richard Killeen
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Figure (Listening)
James Ross
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13. Letter I, Exercise VIII: If you can draw a stone, you can draw anything""
Stephen Farthing
Artist
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FARTHING, Stephen 31
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PERCY, Graham 6
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MACDIARMID, Douglas 5
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BEADLE, Paul 3
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BLAIR, Philippa 3
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BOSWELL, James 3
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DADSON, Phil 3
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APPLE, Billy 2
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BINNEY, Don 2
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BROWN, David 2