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# 80, a pot
John Parker
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10. Letter I, Exercise VI, continued: The brush is often more convenient for laying on masses of tints and shades""
Stephen Farthing
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Trenches near Johnston's Jolly, Gallipoli
Brian Donovan
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28. Letter II, 104: So that the moment a touch is monotonous, it must also be false""
Stephen Farthing
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And now I mutter with that voice verily: Let me pat that hunching bluff so our puzzling will not fade
Jacqueline Fraser
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Portrait of Dame Catherine Tizard
Glenda Randerson
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Arts-Commerce Kaka
Don Binney
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On the Way
Hildegard Wieck
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Sheep and Lilies of the Field - Hiruharama (Jerusalem) Wanganui River, from the Whanganui series
Anne Noble
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Maori and Pacific Islands Dance Festival, Nga Tapuwae College, Auckland, 1993
Glenn Jowitt
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Portrait A.G.Davis
Paul Beadle
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Noh Mask - Zo-No Onna (The Elegance of Youth)
Reiko Elliott
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Poem, In Golden Smock, Walking, One of a pair of banners
Jan Kemp
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Composition around a figure
Michael Mulheron
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Black Collection
Richard Killeen
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Untitled
Colin Mossong
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Net
Dan Arps
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Te Wepu Assemblage
Paratene Matchitt
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Beacons
Jim Vivieaere
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News of the Swimmer Reaches Shore
Gregory O'brien
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Partridge Street. Colin McCahon
Gordon h. Brown
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Tama
Gordon Walters
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Mahina
John Pule
-
Untitled Vignette
Michael Dell
-
Tide
Yvonne Todd
-
Manuka Tree
Trevor Lloyd
-
Sophie
Catherine Opie
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What Kierkegaard said
John Reynolds
-
Falling to Pieces
Winstone Lauren
-
Le Sphinx
James Boswell
-
After the Elam Fire
John Weeks
-
El Maiz
John Weeks
-
Untitled
Jim Speers
Artist
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FARTHING, Stephen 31
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MCCAHON, Colin 20
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OPIE, Catherine 17
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HANLY, Pat 15
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PALMER, Stanley 14
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ALBRECHT, Gretchen 13
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DALEY, John 13
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FOWLER, Michael 13
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HOTERE, Ralph 13
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TODD, Yvonne 13