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12. Letter I, Exercise VII: When you have done one square proceed to do another""
Stephen Farthing
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Points of View: The Given as an Art-Political Statement
Billy Apple
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01. The Title Page of the June 22nd 1857 Smith Elder & Co. of London, edition
Stephen Farthing
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The Fox and the Stork
Graham Percy
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Light Angel
Philippa Blair
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10. Letter I, Exercise VI, continued: The brush is often more convenient for laying on masses of tints and shades""
Stephen Farthing
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29. Letter II, 142: Ripple from a wild ducks breast""
Stephen Farthing
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Head
Alistair Nisbet-smith
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02. From the preface: I do not think that figures, as chief subjects can be drawn to any good purpose by an amateur""
Stephen Farthing
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23. Letter I, 105: The idea and main purpose in every branch are to carry all its child brances well out to the air and light""
Stephen Farthing
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08. Letter I, Exercise V: To be able to draw any form at once""
Stephen Farthing
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Baillif III
Douglas Macdiarmid
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Anxiety
Douglas Macdiarmid
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28. Letter II, 104: So that the moment a touch is monotonous, it must also be false""
Stephen Farthing
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11. Letter I, Exercise VI, continued: You cannot do too many of these""
Stephen Farthing
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Marine artist - Alfred Wallis + sample wave. St. Ives 1965
Gavin Chilcott
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Untitled
Jeffrey Harris
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Baillif XVI A
Douglas Macdiarmid
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17. Letter I, Exercise X: Draw first only two or three leaves""
Stephen Farthing
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26. Letter II, 122: Avoid studies where one thing seen is through another""
Stephen Farthing
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07. Letter I, Exercise IV: You cannot get the same dark power with pencil as with ink""
Stephen Farthing
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Dream Construction
Philippa Blair
-
20. Letter I, Exercise X, continued: The perfect way of drawing is with shade and without line""
Stephen Farthing
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27. Letter II, 127: You may think we have said enough about the tree already""
Stephen Farthing
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Untitled Vignette
Michael Dell
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Portrait of Prof. J .C. Beaglehole
Avis Higgs
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09. Letter I, Exercise VI: Consider the dark boughs of the tree as dark rivers""
Stephen Farthing
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Conversation VIII
Douglas Macdiarmid
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And this also is the Point of Saying Goodbye
Gregory O'brien
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31. Letter III, 210: Rembrandt's elephant""
Stephen Farthing
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Portrait of Mary Stanley
Una Platts
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Head
Alistair Nisbet-smith
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25. Letter II, 112: Copying photographs and unpacking nudes""
Stephen Farthing
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The Clock Tower Building, Auckland University
Frederick Ellis
-
Taurus
Philippa Blair
-
Nelson Street
James Boswell
-
06. Letter I, Exercise III: When your eye gets keen and true - you will see gradation in everything in nature""
Stephen Farthing
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Hobson Street
James Boswell
-
Black double ended series 280/36
John Lethbridge
-
Untitled
Nicholas Oram
-
15. Letter I, Exercise VIII: Following the spots which fall into the folds of the skin""
Stephen Farthing
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This is Sigmund Freud advising Joseph Dargaville ...
Graham Percy
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Mana Island, Northern Aspect, From Karehana Bay.
Don Binney
-
13. Letter I, Exercise VIII: If you can draw a stone, you can draw anything""
Stephen Farthing
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Rift Structure
Nancy de Freitas
Artist
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FARTHING, Stephen 31
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PERCY, Graham 6
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MACDIARMID, Douglas 5
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BEADLE, Paul 3
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BLAIR, Philippa 3
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BOSWELL, James 3
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DADSON, Phil 3
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APPLE, Billy 2
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BINNEY, Don 2
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BROWN, David 2