-
Untitled Vignette
Michael Dell
-
11. Letter I, Exercise VI, continued: You cannot do too many of these""
Stephen Farthing
-
Creatures in Space XIII
Douglas Macdiarmid
-
07. Letter I, Exercise IV: You cannot get the same dark power with pencil as with ink""
Stephen Farthing
-
And this also is the Point of Saying Goodbye
Gregory O'brien
-
04. Letter I, Exercise I: Try to fill in that square with crossed lines""
Stephen Farthing
-
22. Letter II, 104: Foliage for two reasons... always accesible... leading or governing lines""
Stephen Farthing
-
Untitled Drawing (Koru Series)
Gordon Walters
-
Points of View: The Given as an Art-Political Statement
Billy Apple
-
Ideas for a Mace for the University of Auckland
Paul Beadle
-
19. Letter I, Exercise X: You need not copy touch for touch... Rembrandt is often too loose and vague""
Stephen Farthing
-
Untitled
Jeffrey Harris
-
The Clock Tower Building, Auckland University
Frederick Ellis
-
Perspective View of Arts Building and Student Club from Symonds Street
LIPPINCOTT & BILLSON
-
The Lion and the Mouse
Graham Percy
-
Portrait of Mary Stanley
Una Platts
-
10. Letter I, Exercise VI, continued: The brush is often more convenient for laying on masses of tints and shades""
Stephen Farthing
-
18. Letter I, Exercise X, continued: And some leaves seen with the edge turned towards you""
Stephen Farthing
-
Baillif XVI A
Douglas Macdiarmid
-
Soundtrack 5
Phil Dadson
-
20. Letter I, Exercise X, continued: The perfect way of drawing is with shade and without line""
Stephen Farthing
-
Portrait of Prof. J .C. Beaglehole
Avis Higgs
-
Untitled
Nicholas Oram
-
28. Letter II, 104: So that the moment a touch is monotonous, it must also be false""
Stephen Farthing
-
03. From the preface: I do not think that figures, as chief subjects can be drawn to any good purpose by an amateur""
Stephen Farthing
-
24. Letter II, 108: That leaf is the main one that bough is the guilding one""
Stephen Farthing
-
Return to the Land - two kiwis, two huts and two silos
Graham Percy
-
Conversation VIII
Douglas Macdiarmid
-
05. Letter I, Exercise II: The pen should, as it were, walk slowly over the ground""
Stephen Farthing
-
31. Letter III, 210: Rembrandt's elephant""
Stephen Farthing
-
Taurus
Philippa Blair
-
08. Letter I, Exercise V: To be able to draw any form at once""
Stephen Farthing
-
25. Letter II, 112: Copying photographs and unpacking nudes""
Stephen Farthing
-
17. Letter I, Exercise X: Draw first only two or three leaves""
Stephen Farthing
-
Numbered and Signed: The Given as an Art-Political Statement
Billy Apple
-
Mana Island, Northern Aspect, From Karehana Bay.
Don Binney
-
Head
Alistair Nisbet-smith
-
The Titirangi House from the Garden
Colin Mccahon
-
Untitled (from the Energy Diagrams series)
Kathy Barry
-
27. Letter II, 127: You may think we have said enough about the tree already""
Stephen Farthing
-
13. Letter I, Exercise VIII: If you can draw a stone, you can draw anything""
Stephen Farthing
-
Marine artist - Alfred Wallis + sample wave. St. Ives 1965
Gavin Chilcott
-
Within a Rachel Whiteread installation
Graham Percy
-
Untitled - two images
R.b. Stoddart
-
21. Letter I, Exercise X, continued: A perfect artist habitually sees masses not edges""
Stephen Farthing
Artist
-
FARTHING, Stephen 31
-
PERCY, Graham 6
-
MACDIARMID, Douglas 5
-
BEADLE, Paul 3
-
BLAIR, Philippa 3
-
BOSWELL, James 3
-
DADSON, Phil 3
-
APPLE, Billy 2
-
BINNEY, Don 2
-
BROWN, David 2