-
21. Letter I, Exercise X, continued: A perfect artist habitually sees masses not edges""
Stephen Farthing
-
15. Letter I, Exercise VIII: Following the spots which fall into the folds of the skin""
Stephen Farthing
-
Portrait of Mary Stanley
Una Platts
-
Two Yellow Lines
Greer Twiss
-
Blue Paper - Panel 2
Glenys Brookbanks
-
This is Sigmund Freud advising Joseph Dargaville ...
Graham Percy
-
20. Letter I, Exercise X, continued: The perfect way of drawing is with shade and without line""
Stephen Farthing
-
14. Letter I, Exercise VIII: Spots that follow the folds of printed stuff""
Stephen Farthing
-
09. Letter I, Exercise VI: Consider the dark boughs of the tree as dark rivers""
Stephen Farthing
-
Surasundari 1
Neville Campbell
-
12. Letter I, Exercise VII: When you have done one square proceed to do another""
Stephen Farthing
-
Anxiety
Douglas Macdiarmid
-
31. Letter III, 210: Rembrandt's elephant""
Stephen Farthing
-
Portrait A.G.Davis
Paul Beadle
-
Toka Toka from Te Maire
Don Binney
-
02. From the preface: I do not think that figures, as chief subjects can be drawn to any good purpose by an amateur""
Stephen Farthing
-
04. Letter I, Exercise I: Try to fill in that square with crossed lines""
Stephen Farthing
-
The Fox and the Stork
Graham Percy
-
Figure (Listening)
James Ross
-
25. Letter II, 112: Copying photographs and unpacking nudes""
Stephen Farthing
-
Baillif III
Douglas Macdiarmid
-
Marine artist - Alfred Wallis + sample wave. St. Ives 1965
Gavin Chilcott
-
Untitled Drawing (Koru Series)
Gordon Walters
-
13. Letter I, Exercise VIII: If you can draw a stone, you can draw anything""
Stephen Farthing
-
24. Letter II, 108: That leaf is the main one that bough is the guilding one""
Stephen Farthing
-
Rift Structure
Nancy de Freitas
-
Black double ended series 280/36
John Lethbridge
-
23. Letter I, 105: The idea and main purpose in every branch are to carry all its child brances well out to the air and light""
Stephen Farthing
-
Black double ended series 280/35
John Lethbridge
-
05. Letter I, Exercise II: The pen should, as it were, walk slowly over the ground""
Stephen Farthing
-
Nelson Street
James Boswell
-
11. Letter I, Exercise VI, continued: You cannot do too many of these""
Stephen Farthing
-
29. Letter II, 142: Ripple from a wild ducks breast""
Stephen Farthing
-
Return to the Land - two kiwis, two huts and two silos
Graham Percy
-
06. Letter I, Exercise III: When your eye gets keen and true - you will see gradation in everything in nature""
Stephen Farthing
-
Creatures in Space XIII
Douglas Macdiarmid
-
Untitled (from the Energy Diagrams series)
Kathy Barry
-
Untitled - two images
R.b. Stoddart
-
Points of View: The Given as an Art-Political Statement
Billy Apple
-
Mana Island, Northern Aspect, From Karehana Bay.
Don Binney
-
The Hostage Unity Theatre
Raymond Boyce
-
And this also is the Point of Saying Goodbye
Gregory O'brien
-
18. Letter I, Exercise X, continued: And some leaves seen with the edge turned towards you""
Stephen Farthing
-
08. Letter I, Exercise V: To be able to draw any form at once""
Stephen Farthing
-
Within a Rachel Whiteread installation
Graham Percy
Artist
-
FARTHING, Stephen 31
-
PERCY, Graham 6
-
MACDIARMID, Douglas 5
-
BEADLE, Paul 3
-
BLAIR, Philippa 3
-
BOSWELL, James 3
-
DADSON, Phil 3
-
APPLE, Billy 2
-
BINNEY, Don 2
-
BROWN, David 2