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08. Letter I, Exercise V: To be able to draw any form at once""
Stephen Farthing
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23. Letter I, 105: The idea and main purpose in every branch are to carry all its child brances well out to the air and light""
Stephen Farthing
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12. Letter I, Exercise VII: When you have done one square proceed to do another""
Stephen Farthing
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Surasundari 1
Neville Campbell
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15. Letter I, Exercise VIII: Following the spots which fall into the folds of the skin""
Stephen Farthing
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Hobson Street
James Boswell
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The Clock Tower Building, Auckland University
Frederick Ellis
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Untitled (from the Energy Diagrams series)
Kathy Barry
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Black double ended series 280/35
John Lethbridge
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Gymnasium: Circus Drawing
Adrian Hall
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Rift Structure
Nancy de Freitas
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Baillif XVI A
Douglas Macdiarmid
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Arthur Sandall
Paul Beadle
-
Untitled
Michael Dell
-
Untitled
Nicholas Oram
-
The Fox and the Stork
Graham Percy
-
Creatures in Space XIII
Douglas Macdiarmid
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This is Sigmund Freud advising Joseph Dargaville ...
Graham Percy
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Head
Alistair Nisbet-smith
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Toka Toka from Te Maire
Don Binney
-
Baillif III
Douglas Macdiarmid
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Figure (Listening)
James Ross
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24. Letter II, 108: That leaf is the main one that bough is the guilding one""
Stephen Farthing
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31. Letter III, 210: Rembrandt's elephant""
Stephen Farthing
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Within a Rachel Whiteread installation
Graham Percy
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Black double ended series 280/36
John Lethbridge
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14. Letter I, Exercise VIII: Spots that follow the folds of printed stuff""
Stephen Farthing
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Conversation VIII
Douglas Macdiarmid
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26. Letter II, 122: Avoid studies where one thing seen is through another""
Stephen Farthing
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13. Letter I, Exercise VIII: If you can draw a stone, you can draw anything""
Stephen Farthing
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10. Letter I, Exercise VI, continued: The brush is often more convenient for laying on masses of tints and shades""
Stephen Farthing
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06. Letter I, Exercise III: When your eye gets keen and true - you will see gradation in everything in nature""
Stephen Farthing
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07. Letter I, Exercise IV: You cannot get the same dark power with pencil as with ink""
Stephen Farthing
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Points of View: The Given as an Art-Political Statement
Billy Apple
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Light Angel
Philippa Blair
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Dream Construction
Philippa Blair
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The Hostage Unity Theatre
Raymond Boyce
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29. Letter II, 142: Ripple from a wild ducks breast""
Stephen Farthing
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Numbered and Signed: The Given as an Art-Political Statement
Billy Apple
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Return to the Land - two kiwis, two huts and two silos
Graham Percy
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Untitled collage
Greer Twiss
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22. Letter II, 104: Foliage for two reasons... always accesible... leading or governing lines""
Stephen Farthing
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27. Letter II, 127: You may think we have said enough about the tree already""
Stephen Farthing
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16. Letter I, Exercise X Put on a wash of colour, prepared very pale... then another wash""
Stephen Farthing
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11. Letter I, Exercise VI, continued: You cannot do too many of these""
Stephen Farthing
Artist
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FARTHING, Stephen 31
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PERCY, Graham 6
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MACDIARMID, Douglas 5
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BEADLE, Paul 3
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BLAIR, Philippa 3
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BOSWELL, James 3
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DADSON, Phil 3
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APPLE, Billy 2
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BINNEY, Don 2
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BROWN, David 2