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Hobson Street
James Boswell
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Light Angel
Philippa Blair
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22. Letter II, 104: Foliage for two reasons... always accesible... leading or governing lines""
Stephen Farthing
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Within a Rachel Whiteread installation
Graham Percy
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Portrait of Mary Stanley
Una Platts
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31. Letter III, 210: Rembrandt's elephant""
Stephen Farthing
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18. Letter I, Exercise X, continued: And some leaves seen with the edge turned towards you""
Stephen Farthing
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Toka Toka from Te Maire
Don Binney
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And this also is the Point of Saying Goodbye
Gregory O'brien
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06. Letter I, Exercise III: When your eye gets keen and true - you will see gradation in everything in nature""
Stephen Farthing
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This is Sigmund Freud advising Joseph Dargaville ...
Graham Percy
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Portrait A.G.Davis
Paul Beadle
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25. Letter II, 112: Copying photographs and unpacking nudes""
Stephen Farthing
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Arthur Sandall
Paul Beadle
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Taurus
Philippa Blair
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Anxiety
Douglas Macdiarmid
-
28. Letter II, 104: So that the moment a touch is monotonous, it must also be false""
Stephen Farthing
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14. Letter I, Exercise VIII: Spots that follow the folds of printed stuff""
Stephen Farthing
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Baillif XVI A
Douglas Macdiarmid
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Gymnasium: Circus Drawing
Adrian Hall
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The Hostage Unity Theatre
Raymond Boyce
-
03. From the preface: I do not think that figures, as chief subjects can be drawn to any good purpose by an amateur""
Stephen Farthing
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Blue Paper - Panel 2
Glenys Brookbanks
-
23. Letter I, 105: The idea and main purpose in every branch are to carry all its child brances well out to the air and light""
Stephen Farthing
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30. Letter III, 193: The law of principality""
Stephen Farthing
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04. Letter I, Exercise I: Try to fill in that square with crossed lines""
Stephen Farthing
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Untitled
Jeffrey Harris
-
02. From the preface: I do not think that figures, as chief subjects can be drawn to any good purpose by an amateur""
Stephen Farthing
-
16. Letter I, Exercise X Put on a wash of colour, prepared very pale... then another wash""
Stephen Farthing
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Rift Structure
Nancy de Freitas
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The Lion and the Mouse
Graham Percy
-
10. Letter I, Exercise VI, continued: The brush is often more convenient for laying on masses of tints and shades""
Stephen Farthing
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Marine artist - Alfred Wallis + sample wave. St. Ives 1965
Gavin Chilcott
-
Conversation VIII
Douglas Macdiarmid
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19. Letter I, Exercise X: You need not copy touch for touch... Rembrandt is often too loose and vague""
Stephen Farthing
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Girl with String
Mark Cross
-
Figure (Listening)
James Ross
-
17. Letter I, Exercise X: Draw first only two or three leaves""
Stephen Farthing
-
Head
Alistair Nisbet-smith
-
Portrait of Prof. J .C. Beaglehole
Avis Higgs
-
Study for Sculpture
Jim Allen
-
Two Yellow Lines
Greer Twiss
-
29. Letter II, 142: Ripple from a wild ducks breast""
Stephen Farthing
-
Head
Alistair Nisbet-smith
-
08. Letter I, Exercise V: To be able to draw any form at once""
Stephen Farthing
Artist
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FARTHING, Stephen 31
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PERCY, Graham 6
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MACDIARMID, Douglas 5
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BEADLE, Paul 3
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BLAIR, Philippa 3
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BOSWELL, James 3
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DADSON, Phil 3
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APPLE, Billy 2
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BINNEY, Don 2
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BROWN, David 2