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Untitled
Jeffrey Harris
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29. Letter II, 142: Ripple from a wild ducks breast""
Stephen Farthing
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Untitled
Nicholas Oram
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Surasundari 1
Neville Campbell
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The Clock Tower Building, Auckland University
Frederick Ellis
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Ideas for a Mace for the University of Auckland
Paul Beadle
-
13. Letter I, Exercise VIII: If you can draw a stone, you can draw anything""
Stephen Farthing
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Untitled Vignette
Michael Dell
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Marine artist - Alfred Wallis + sample wave. St. Ives 1965
Gavin Chilcott
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The Politics of Geometry
Richard Killeen
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24. Letter II, 108: That leaf is the main one that bough is the guilding one""
Stephen Farthing
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10. Letter I, Exercise VI, continued: The brush is often more convenient for laying on masses of tints and shades""
Stephen Farthing
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Untitled collage
Greer Twiss
-
The Hostage Unity Theatre
Raymond Boyce
-
28. Letter II, 104: So that the moment a touch is monotonous, it must also be false""
Stephen Farthing
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Baillif III
Douglas Macdiarmid
-
22. Letter II, 104: Foliage for two reasons... always accesible... leading or governing lines""
Stephen Farthing
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Creatures in Space XIII
Douglas Macdiarmid
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Anxiety
Douglas Macdiarmid
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Return to the Land - two kiwis, two huts and two silos
Graham Percy
-
25. Letter II, 112: Copying photographs and unpacking nudes""
Stephen Farthing
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Rift Structure
Nancy de Freitas
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02. From the preface: I do not think that figures, as chief subjects can be drawn to any good purpose by an amateur""
Stephen Farthing
-
15. Letter I, Exercise VIII: Following the spots which fall into the folds of the skin""
Stephen Farthing
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Light Angel
Philippa Blair
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Black double ended series 280/36
John Lethbridge
-
21. Letter I, Exercise X, continued: A perfect artist habitually sees masses not edges""
Stephen Farthing
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And this also is the Point of Saying Goodbye
Gregory O'brien
-
26. Letter II, 122: Avoid studies where one thing seen is through another""
Stephen Farthing
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Portrait of Mary Stanley
Una Platts
-
Untitled (from the Energy Diagrams series)
Kathy Barry
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16. Letter I, Exercise X Put on a wash of colour, prepared very pale... then another wash""
Stephen Farthing
-
09. Letter I, Exercise VI: Consider the dark boughs of the tree as dark rivers""
Stephen Farthing
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Girl with String
Mark Cross
-
Head
Alistair Nisbet-smith
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Within a Rachel Whiteread installation
Graham Percy
-
03. From the preface: I do not think that figures, as chief subjects can be drawn to any good purpose by an amateur""
Stephen Farthing
-
23. Letter I, 105: The idea and main purpose in every branch are to carry all its child brances well out to the air and light""
Stephen Farthing
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18. Letter I, Exercise X, continued: And some leaves seen with the edge turned towards you""
Stephen Farthing
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17. Letter I, Exercise X: Draw first only two or three leaves""
Stephen Farthing
-
Baillif XVI A
Douglas Macdiarmid
-
07. Letter I, Exercise IV: You cannot get the same dark power with pencil as with ink""
Stephen Farthing
-
Arthur Sandall
Paul Beadle
-
Nelson Street
James Boswell
-
Two Yellow Lines
Greer Twiss
Artist
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FARTHING, Stephen 31
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PERCY, Graham 6
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MACDIARMID, Douglas 5
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BEADLE, Paul 3
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BLAIR, Philippa 3
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BOSWELL, James 3
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DADSON, Phil 3
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APPLE, Billy 2
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BINNEY, Don 2
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BROWN, David 2