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Gymnasium: Circus Drawing
Adrian Hall
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Taurus
Philippa Blair
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05. Letter I, Exercise II: The pen should, as it were, walk slowly over the ground""
Stephen Farthing
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Head
Alistair Nisbet-smith
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16. Letter I, Exercise X Put on a wash of colour, prepared very pale... then another wash""
Stephen Farthing
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Untitled Vignette
Michael Dell
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14. Letter I, Exercise VIII: Spots that follow the folds of printed stuff""
Stephen Farthing
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22. Letter II, 104: Foliage for two reasons... always accesible... leading or governing lines""
Stephen Farthing
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Numbered and Signed: The Given as an Art-Political Statement
Billy Apple
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Untitled
Nicholas Oram
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Untitled - two images
R.b. Stoddart
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29. Letter II, 142: Ripple from a wild ducks breast""
Stephen Farthing
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Toka Toka from Te Maire
Don Binney
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18. Letter I, Exercise X, continued: And some leaves seen with the edge turned towards you""
Stephen Farthing
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09. Letter I, Exercise VI: Consider the dark boughs of the tree as dark rivers""
Stephen Farthing
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06. Letter I, Exercise III: When your eye gets keen and true - you will see gradation in everything in nature""
Stephen Farthing
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Marine artist - Alfred Wallis + sample wave. St. Ives 1965
Gavin Chilcott
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Return to the Land - two kiwis, two huts and two silos
Graham Percy
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Black double ended series 280/36
John Lethbridge
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Points of View: The Given as an Art-Political Statement
Billy Apple
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Portrait of Prof. J .C. Beaglehole
Avis Higgs
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Portrait of Mary Stanley
Una Platts
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Ideas for a Mace for the University of Auckland
Paul Beadle
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Hobson Street
James Boswell
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Girl with String
Mark Cross
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02. From the preface: I do not think that figures, as chief subjects can be drawn to any good purpose by an amateur""
Stephen Farthing
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Untitled collage
Greer Twiss
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26. Letter II, 122: Avoid studies where one thing seen is through another""
Stephen Farthing
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Blue Paper - Panel 2
Glenys Brookbanks
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15. Letter I, Exercise VIII: Following the spots which fall into the folds of the skin""
Stephen Farthing
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10. Letter I, Exercise VI, continued: The brush is often more convenient for laying on masses of tints and shades""
Stephen Farthing
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04. Letter I, Exercise I: Try to fill in that square with crossed lines""
Stephen Farthing
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07. Letter I, Exercise IV: You cannot get the same dark power with pencil as with ink""
Stephen Farthing
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17. Letter I, Exercise X: Draw first only two or three leaves""
Stephen Farthing
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25. Letter II, 112: Copying photographs and unpacking nudes""
Stephen Farthing
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The Politics of Geometry
Richard Killeen
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Anxiety
Douglas Macdiarmid
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27. Letter II, 127: You may think we have said enough about the tree already""
Stephen Farthing
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Figure (Listening)
James Ross
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Arthur Sandall
Paul Beadle
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11. Letter I, Exercise VI, continued: You cannot do too many of these""
Stephen Farthing
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Untitled
Jeffrey Harris
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Baillif III
Douglas Macdiarmid
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19. Letter I, Exercise X: You need not copy touch for touch... Rembrandt is often too loose and vague""
Stephen Farthing
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Black double ended series 280/35
John Lethbridge
Artist
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FARTHING, Stephen 31
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PERCY, Graham 6
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MACDIARMID, Douglas 5
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BEADLE, Paul 3
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BLAIR, Philippa 3
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BOSWELL, James 3
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DADSON, Phil 3
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APPLE, Billy 2
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BINNEY, Don 2
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BROWN, David 2