-
18. Letter I, Exercise X, continued: And some leaves seen with the edge turned towards you""
Stephen Farthing
-
09. Letter I, Exercise VI: Consider the dark boughs of the tree as dark rivers""
Stephen Farthing
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28. Letter II, 104: So that the moment a touch is monotonous, it must also be false""
Stephen Farthing
-
30. Letter III, 193: The law of principality""
Stephen Farthing
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03. From the preface: I do not think that figures, as chief subjects can be drawn to any good purpose by an amateur""
Stephen Farthing
-
Arthur Sandall
Paul Beadle
-
22. Letter II, 104: Foliage for two reasons... always accesible... leading or governing lines""
Stephen Farthing
-
Head
Alistair Nisbet-smith
-
Untitled Drawing (Koru Series)
Gordon Walters
-
The Clock Tower Building, Auckland University
Frederick Ellis
-
05. Letter I, Exercise II: The pen should, as it were, walk slowly over the ground""
Stephen Farthing
-
16. Letter I, Exercise X Put on a wash of colour, prepared very pale... then another wash""
Stephen Farthing
-
Ideas for a Mace for the University of Auckland
Paul Beadle
-
07. Letter I, Exercise IV: You cannot get the same dark power with pencil as with ink""
Stephen Farthing
-
Light Angel
Philippa Blair
-
Numbered and Signed: The Given as an Art-Political Statement
Billy Apple
-
Untitled collage
Greer Twiss
-
Marine artist - Alfred Wallis + sample wave. St. Ives 1965
Gavin Chilcott
-
23. Letter I, 105: The idea and main purpose in every branch are to carry all its child brances well out to the air and light""
Stephen Farthing
-
25. Letter II, 112: Copying photographs and unpacking nudes""
Stephen Farthing
-
26. Letter II, 122: Avoid studies where one thing seen is through another""
Stephen Farthing
-
Conversation VIII
Douglas Macdiarmid
-
11. Letter I, Exercise VI, continued: You cannot do too many of these""
Stephen Farthing
-
24. Letter II, 108: That leaf is the main one that bough is the guilding one""
Stephen Farthing
-
10. Letter I, Exercise VI, continued: The brush is often more convenient for laying on masses of tints and shades""
Stephen Farthing
-
13. Letter I, Exercise VIII: If you can draw a stone, you can draw anything""
Stephen Farthing
-
31. Letter III, 210: Rembrandt's elephant""
Stephen Farthing
-
Within a Rachel Whiteread installation
Graham Percy
-
Surasundari 1
Neville Campbell
-
This is Sigmund Freud advising Joseph Dargaville ...
Graham Percy
-
Soundtrack 5
Phil Dadson
-
Baillif III
Douglas Macdiarmid
-
The Politics of Geometry
Richard Killeen
-
06. Letter I, Exercise III: When your eye gets keen and true - you will see gradation in everything in nature""
Stephen Farthing
-
20. Letter I, Exercise X, continued: The perfect way of drawing is with shade and without line""
Stephen Farthing
-
15. Letter I, Exercise VIII: Following the spots which fall into the folds of the skin""
Stephen Farthing
-
Anxiety
Douglas Macdiarmid
-
04. Letter I, Exercise I: Try to fill in that square with crossed lines""
Stephen Farthing
-
The Hostage Unity Theatre
Raymond Boyce
-
The Lion and the Mouse
Graham Percy
-
Untitled
Nicholas Oram
-
14. Letter I, Exercise VIII: Spots that follow the folds of printed stuff""
Stephen Farthing
-
Toka Toka from Te Maire
Don Binney
-
Nelson Street
James Boswell
-
Figure (Listening)
James Ross
Artist
-
FARTHING, Stephen 31
-
PERCY, Graham 6
-
MACDIARMID, Douglas 5
-
BEADLE, Paul 3
-
BLAIR, Philippa 3
-
BOSWELL, James 3
-
DADSON, Phil 3
-
APPLE, Billy 2
-
BINNEY, Don 2
-
BROWN, David 2