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02. From the preface: I do not think that figures, as chief subjects can be drawn to any good purpose by an amateur""
Stephen Farthing
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20. Letter I, Exercise X, continued: The perfect way of drawing is with shade and without line""
Stephen Farthing
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Ngauruhoe and Rock
Wayne Barrar
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Nelson Hills
Toss Woollaston
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Ferns and Mudpool, Waiotapu
Theo Schoon
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Ranginui (from Digital Marae)
Lisa Reihana
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The Rise of Digital China
Josephine Do
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Pili, Pili, Pili, Pili (Lizard)
Michel Tuffery
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Clematis
Olive Tonkin
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Te Wepu Assemblage
Paratene Matchitt
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Let us Possess One World
Colin Mccahon
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Papa
Kura te Waru-rewiri-thorsen
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Untitled Landscape
Michael Smither
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El Maiz
John Weeks
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Agathis #1
Ann Robinson
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Whenua
Alexis Neal
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Trunk of tree with twisted roots
John Johns
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Dealings with Solid Form
Andrew Panoho
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Fork and Spoon
Peter Peryer
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Camp Fire (Rex Fairburn's, Pukapuka, Mahurangi West
Alison Pickmere
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I Tell You Solemnly
John Reynolds
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Tawa
Gordon Walters
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Dior, from Bellevue
Yvonne Todd
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Untitled landscape
Claudia pond Eyley
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Maquette for sculpture
Selwyn Muru
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Die Zeremonie - ouau - kava ceremony
Dagmar Dyck
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Te Rawhiti
Robert Ellis
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22. Letter II, 104: Foliage for two reasons... always accesible... leading or governing lines""
Stephen Farthing
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Tyburn Convent, from the series in the Presence of Angels
Anne Noble
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Lapita Mulifanua
Fatu Feu'u
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Small Glass Pouring Light
Bill Culbert
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Roofs and Chimneys
Noelle Palmer
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Motorway City 26
Robert Ellis
Artist
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FARTHING, Stephen 31
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MCCAHON, Colin 20
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OPIE, Catherine 17
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HANLY, Pat 15
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PALMER, Stanley 14
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ALBRECHT, Gretchen 13
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DALEY, John 13
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FOWLER, Michael 13
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HOTERE, Ralph 13
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TODD, Yvonne 13