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Conversation VIII
Douglas Macdiarmid
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Numbered and Signed: The Given as an Art-Political Statement
Billy Apple
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Untitled Drawing (Koru Series)
Gordon Walters
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29. Letter II, 142: Ripple from a wild ducks breast""
Stephen Farthing
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Baillif III
Douglas Macdiarmid
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The Titirangi House from the Garden
Colin Mccahon
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11. Letter I, Exercise VI, continued: You cannot do too many of these""
Stephen Farthing
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Study for Sculpture
Jim Allen
-
31. Letter III, 210: Rembrandt's elephant""
Stephen Farthing
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Portrait of Mary Stanley
Una Platts
-
25. Letter II, 112: Copying photographs and unpacking nudes""
Stephen Farthing
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27. Letter II, 127: You may think we have said enough about the tree already""
Stephen Farthing
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Portrait of Prof. J .C. Beaglehole
Avis Higgs
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Girl with String
Mark Cross
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Toka Toka from Te Maire
Don Binney
-
Surasundari 1
Neville Campbell
-
14. Letter I, Exercise VIII: Spots that follow the folds of printed stuff""
Stephen Farthing
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09. Letter I, Exercise VI: Consider the dark boughs of the tree as dark rivers""
Stephen Farthing
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19. Letter I, Exercise X: You need not copy touch for touch... Rembrandt is often too loose and vague""
Stephen Farthing
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Head
Alistair Nisbet-smith
-
18. Letter I, Exercise X, continued: And some leaves seen with the edge turned towards you""
Stephen Farthing
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Mana Island, Northern Aspect, From Karehana Bay.
Don Binney
-
Return to the Land - two kiwis, two huts and two silos
Graham Percy
-
13. Letter I, Exercise VIII: If you can draw a stone, you can draw anything""
Stephen Farthing
-
Rift Structure
Nancy de Freitas
-
04. Letter I, Exercise I: Try to fill in that square with crossed lines""
Stephen Farthing
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Gymnasium: Circus Drawing
Adrian Hall
-
26. Letter II, 122: Avoid studies where one thing seen is through another""
Stephen Farthing
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Anxiety
Douglas Macdiarmid
-
The Politics of Geometry
Richard Killeen
-
Blue Paper - Panel 2
Glenys Brookbanks
-
Two Yellow Lines
Greer Twiss
-
The Lion and the Mouse
Graham Percy
-
01. The Title Page of the June 22nd 1857 Smith Elder & Co. of London, edition
Stephen Farthing
-
21. Letter I, Exercise X, continued: A perfect artist habitually sees masses not edges""
Stephen Farthing
-
20. Letter I, Exercise X, continued: The perfect way of drawing is with shade and without line""
Stephen Farthing
-
28. Letter II, 104: So that the moment a touch is monotonous, it must also be false""
Stephen Farthing
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Dream Construction
Philippa Blair
-
Within a Rachel Whiteread installation
Graham Percy
-
10. Letter I, Exercise VI, continued: The brush is often more convenient for laying on masses of tints and shades""
Stephen Farthing
-
12. Letter I, Exercise VII: When you have done one square proceed to do another""
Stephen Farthing
-
Soundtrack 5
Phil Dadson
-
16. Letter I, Exercise X Put on a wash of colour, prepared very pale... then another wash""
Stephen Farthing
-
Baillif XVI A
Douglas Macdiarmid
-
Nelson Street
James Boswell
Artist
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FARTHING, Stephen 31
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PERCY, Graham 6
-
MACDIARMID, Douglas 5
-
BEADLE, Paul 3
-
BLAIR, Philippa 3
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BOSWELL, James 3
-
DADSON, Phil 3
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APPLE, Billy 2
-
BINNEY, Don 2
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BROWN, David 2