-
Untitled Vignette
Michael Dell
-
13. Letter I, Exercise VIII: If you can draw a stone, you can draw anything""
Stephen Farthing
-
Marine artist - Alfred Wallis + sample wave. St. Ives 1965
Gavin Chilcott
-
The Titirangi House from the Garden
Colin Mccahon
-
Dream Construction
Philippa Blair
-
04. Letter I, Exercise I: Try to fill in that square with crossed lines""
Stephen Farthing
-
Untitled (from the Energy Diagrams series)
Kathy Barry
-
Portrait A.G.Davis
Paul Beadle
-
Baillif III
Douglas Macdiarmid
-
12. Letter I, Exercise VII: When you have done one square proceed to do another""
Stephen Farthing
-
Surasundari 1
Neville Campbell
-
01. The Title Page of the June 22nd 1857 Smith Elder & Co. of London, edition
Stephen Farthing
-
Light Angel
Philippa Blair
-
Mana Island, Northern Aspect, From Karehana Bay.
Don Binney
-
The Lion and the Mouse
Graham Percy
-
Baillif XVI A
Douglas Macdiarmid
-
Portrait of Prof. J .C. Beaglehole
Avis Higgs
-
Rift Structure
Nancy de Freitas
-
Creatures in Space XIII
Douglas Macdiarmid
-
27. Letter II, 127: You may think we have said enough about the tree already""
Stephen Farthing
-
Points of View: The Given as an Art-Political Statement
Billy Apple
-
03. From the preface: I do not think that figures, as chief subjects can be drawn to any good purpose by an amateur""
Stephen Farthing
-
05. Letter I, Exercise II: The pen should, as it were, walk slowly over the ground""
Stephen Farthing
-
Head
Alistair Nisbet-smith
-
Toka Toka from Te Maire
Don Binney
-
Girl with String
Mark Cross
-
20. Letter I, Exercise X, continued: The perfect way of drawing is with shade and without line""
Stephen Farthing
-
10. Letter I, Exercise VI, continued: The brush is often more convenient for laying on masses of tints and shades""
Stephen Farthing
-
Study for Sculpture
Jim Allen
-
Arthur Sandall
Paul Beadle
-
22. Letter II, 104: Foliage for two reasons... always accesible... leading or governing lines""
Stephen Farthing
-
15. Letter I, Exercise VIII: Following the spots which fall into the folds of the skin""
Stephen Farthing
-
Within a Rachel Whiteread installation
Graham Percy
-
24. Letter II, 108: That leaf is the main one that bough is the guilding one""
Stephen Farthing
-
19. Letter I, Exercise X: You need not copy touch for touch... Rembrandt is often too loose and vague""
Stephen Farthing
-
26. Letter II, 122: Avoid studies where one thing seen is through another""
Stephen Farthing
-
31. Letter III, 210: Rembrandt's elephant""
Stephen Farthing
-
The Clock Tower Building, Auckland University
Frederick Ellis
-
Perspective View of Arts Building and Student Club from Symonds Street
LIPPINCOTT & BILLSON
-
Untitled
Michael Dell
-
09. Letter I, Exercise VI: Consider the dark boughs of the tree as dark rivers""
Stephen Farthing
-
08. Letter I, Exercise V: To be able to draw any form at once""
Stephen Farthing
-
The Hostage Unity Theatre
Raymond Boyce
-
23. Letter I, 105: The idea and main purpose in every branch are to carry all its child brances well out to the air and light""
Stephen Farthing
-
Head
Alistair Nisbet-smith
Artist
-
FARTHING, Stephen 31
-
PERCY, Graham 6
-
MACDIARMID, Douglas 5
-
BEADLE, Paul 3
-
BLAIR, Philippa 3
-
BOSWELL, James 3
-
DADSON, Phil 3
-
APPLE, Billy 2
-
BINNEY, Don 2
-
BROWN, David 2
