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Study for Sculpture
Jim Allen
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Portrait of Mary Stanley
Una Platts
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30. Letter III, 193: The law of principality""
Stephen Farthing
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Dream Construction
Philippa Blair
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The Fox and the Stork
Graham Percy
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18. Letter I, Exercise X, continued: And some leaves seen with the edge turned towards you""
Stephen Farthing
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22. Letter II, 104: Foliage for two reasons... always accesible... leading or governing lines""
Stephen Farthing
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17. Letter I, Exercise X: Draw first only two or three leaves""
Stephen Farthing
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The Hostage Unity Theatre
Raymond Boyce
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05. Letter I, Exercise II: The pen should, as it were, walk slowly over the ground""
Stephen Farthing
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Toka Toka from Te Maire
Don Binney
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Light Angel
Philippa Blair
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Two Yellow Lines
Greer Twiss
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06. Letter I, Exercise III: When your eye gets keen and true - you will see gradation in everything in nature""
Stephen Farthing
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24. Letter II, 108: That leaf is the main one that bough is the guilding one""
Stephen Farthing
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11. Letter I, Exercise VI, continued: You cannot do too many of these""
Stephen Farthing
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04. Letter I, Exercise I: Try to fill in that square with crossed lines""
Stephen Farthing
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31. Letter III, 210: Rembrandt's elephant""
Stephen Farthing
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Baillif III
Douglas Macdiarmid
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Arthur Sandall
Paul Beadle
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29. Letter II, 142: Ripple from a wild ducks breast""
Stephen Farthing
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Hobson Street
James Boswell
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This is Sigmund Freud advising Joseph Dargaville ...
Graham Percy
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Girl with String
Mark Cross
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Black double ended series 280/36
John Lethbridge
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12. Letter I, Exercise VII: When you have done one square proceed to do another""
Stephen Farthing
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Within a Rachel Whiteread installation
Graham Percy
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Portrait A.G.Davis
Paul Beadle
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09. Letter I, Exercise VI: Consider the dark boughs of the tree as dark rivers""
Stephen Farthing
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Surasundari 1
Neville Campbell
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Ideas for a Mace for the University of Auckland
Paul Beadle
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Black double ended series 280/35
John Lethbridge
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20. Letter I, Exercise X, continued: The perfect way of drawing is with shade and without line""
Stephen Farthing
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02. From the preface: I do not think that figures, as chief subjects can be drawn to any good purpose by an amateur""
Stephen Farthing
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15. Letter I, Exercise VIII: Following the spots which fall into the folds of the skin""
Stephen Farthing
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Creatures in Space XIII
Douglas Macdiarmid
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Portrait of Prof. J .C. Beaglehole
Avis Higgs
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16. Letter I, Exercise X Put on a wash of colour, prepared very pale... then another wash""
Stephen Farthing
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Taurus
Philippa Blair
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Soundtrack 5
Phil Dadson
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21. Letter I, Exercise X, continued: A perfect artist habitually sees masses not edges""
Stephen Farthing
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23. Letter I, 105: The idea and main purpose in every branch are to carry all its child brances well out to the air and light""
Stephen Farthing
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Blue Paper - Panel 2
Glenys Brookbanks
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08. Letter I, Exercise V: To be able to draw any form at once""
Stephen Farthing
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26. Letter II, 122: Avoid studies where one thing seen is through another""
Stephen Farthing
Artist
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FARTHING, Stephen 31
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PERCY, Graham 6
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MACDIARMID, Douglas 5
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BEADLE, Paul 3
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BLAIR, Philippa 3
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BOSWELL, James 3
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DADSON, Phil 3
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APPLE, Billy 2
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BINNEY, Don 2
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BROWN, David 2
