A series of articles by Centre for New Zealand Art Research and Discovery (CNZARD) staff on individual works in the collection, published in the University's fortnightly newsletter UniNews.
Amongst the more than 1000 artworks in The University of Auckland Art Collection, there are some whose origins aren’t always clear, and it is often fascinating to track down who they’re by and how they ended up with us.
Gretchen Albrecht’s breakthrough into complete abstraction coincided with a move to bushy Titirangi in the 1972-73.
Not many New Zealand artists can lay claim to having infiltrated hundreds of private homes and public gallery collections with their work.