A series of articles by Centre for New Zealand Art Research and Discovery (CNZARD) staff on individual works in the collection, published in the University's fortnightly newsletter UniNews.
Not many New Zealand artists can lay claim to having infiltrated hundreds of private homes and public gallery collections with their work.
Titling her work after the building method beloved by immigrant pioneers in the outback of Australia, Rosalie Gascoigne weaves text-laden soft drink crate wood into a grid of yellow and black.
One of the most iconic images of a New Zealand subject is Mt Egmont from the Southwards, painted in September 1840 by 20- year-old Charles Heaphy.