A series of articles by Centre for New Zealand Art Research and Discovery (CNZARD) staff on individual works in the collection, published in the University's fortnightly newsletter UniNews.
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Aerial mapping work carried out as part of National Service in Britain after World War Two later proved influential for Robert Ellis’s art.
Titling her work after the building method beloved by immigrant pioneers in the outback of Australia, Rosalie Gascoigne weaves text-laden soft drink crate wood into a grid of yellow and black.
When potter John Parker began making a name for himself in the 1970s, the clean, manufactured look of mass-produced Crown Lynn ceramics was losing its fashionable status and was certainly not to be taken seriously by potters.