A series of articles by Centre for New Zealand Art Research and Discovery (CNZARD) staff on individual works in the collection, published in the University's fortnightly newsletter UniNews.
When potter John Parker began making a name for himself in the 1970s, the clean, manufactured look of mass-produced Crown Lynn ceramics was losing its fashionable status and was certainly not to be taken seriously by potters.
Originary moments of modernism in New Zealand art are usually recounted anecdotally - Toss Woollaston in Nelson asking if he could copy Flora Scales’s notes taken in classes at the Hans Hofmann School in Munich or Colin McCahon encountering Mary CockburnMercer hobbling around on crutches in Melbourne in 1951.