A series of articles by Centre for New Zealand Art Research and Discovery (CNZARD) staff on individual works in the collection, published in the University's fortnightly newsletter UniNews.
Gretchen Albrecht’s breakthrough into complete abstraction coincided with a move to bushy Titirangi in the 1972-73.
One of the most iconic images of a New Zealand subject is Mt Egmont from the Southwards, painted in September 1840 by 20- year-old Charles Heaphy.
Described as “a woman of mettlesome and sparkling personality, with passionate intellectual and philosophical interests”, Gabrielle Hope had a career as a painter that lasted just two short decades.