A series of articles by Centre for New Zealand Art Research and Discovery (CNZARD) staff on individual works in the collection, published in the University's fortnightly newsletter UniNews.
Often mistaken for part of the architecture, Don Driver’s Untitled Construction (1982) is both simple and spectacular.
Titling her work after the building method beloved by immigrant pioneers in the outback of Australia, Rosalie Gascoigne weaves text-laden soft drink crate wood into a grid of yellow and black.
Existing in the middle ground between abstraction and figuration, James Ross’s pastel drawings play host to a range of organic forms.