A series of articles by Centre for New Zealand Art Research and Discovery (CNZARD) staff on individual works in the collection, published in the University's fortnightly newsletter UniNews.
Gretchen Albrecht’s breakthrough into complete abstraction coincided with a move to bushy Titirangi in the 1972-73.
Not many New Zealand artists can lay claim to having infiltrated hundreds of private homes and public gallery collections with their work.
When potter John Parker began making a name for himself in the 1970s, the clean, manufactured look of mass-produced Crown Lynn ceramics was losing its fashionable status and was certainly not to be taken seriously by potters.