A series of articles by Centre for New Zealand Art Research and Discovery (CNZARD) staff on individual works in the collection, published in the University's fortnightly newsletter UniNews.
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Aerial mapping work carried out as part of National Service in Britain after World War Two later proved influential for Robert Ellis’s art.
Textiles are often referred to in Elam MFA graduate Sara Hughes’ work, and Chromatic Interaction looks at first to be laid out like a pattern for busy fingers to follow in making a hexagon quilt.
Existing in the middle ground between abstraction and figuration, James Ross’s pastel drawings play host to a range of organic forms.